We now pass to Mons. La Martine:--"On reaching the summit of the breach, we knew not where to fix our eyes. On every side we beheld marble doors of prodigious dimensions, windows and niches, bordered with exquisite sculpture, richly ornamented arches, fragments of cornices, entablatures, and capitals. The master-work of art; the wrecks of ages, lay scattered as thickly as the grains of dust beneath our feet. All was mystery, confusion, inexplicable wonder. No sooner had we cast an admiring glance on one side, than some new prodigy attracted us on the others. Every attempt, we made to interpret the religious meaning of the monuments, was immediately defeated by some newly-discerned object. We frequently groped about in this labyrinth of conjecture. One cannot restrict, in one's fancy, the sacred edifices of an age, or a people of whose religion or manners nothing certain can be known. Time carries his secrets away with him, and leaves his enigmas as sports for human knowledge. We speedily renounced all our attempts to build any system out of these ruins; we were content to gaze and admire, without comprehending any thing beyond the colossal power of human genius; and the strength of religious feeling, which had moved such masses of stone, and wrought so many master-pieces." The ruins of Balbec do not present a crowd of fallen edifices, spread over a large extent, like those of Palmyra; they consist only of three distinct buildings, which stand not far from each other, in a plain at a short distance from the inhabited part of the town. As in the instance of Palmyra, where we shall have to make a similar remark, it is impossible to convey an adequate idea of these works of art, without the accompaniments of plates[141]. We adopt, therefore, an abstract of the account of M. Volney, since his description is, perhaps, the best that we have:--"In entering the principal gate, which faces the mountain on the east, we come to an hexagonal court, which is one hundred and eighty feet in diameter. This is strewed with broken columns, mutilated capitals, and the remains of entablatures and cornices. Around it is a row of ruined edifices, which display all the ornaments of the richest architecture. On passing through this court towards the west, we enter a large square, three hundred and fifty feet wide, and three hundred and thirty-three in length. Along each side of this court runs a sort of gallery, divided into various compartments, seven of which may be reckoned in each of the principal wings. It is not easy to conceive the use of this part of the structure; but it does not diminish our admiration at the beauty of the pilasters, and the richness of the frieze and entablature; neither is it possible to avoid remarking the singular effect which results from the mixture of the garlands, the large foliage of the capitals, and the sculpture of wild plants, with which they are every where ornamented. At the west end of this court