intelligence, in virtue, in nature, and in eternity." We now give place to observations, made by travellers on the relative merits of the architecture, employed in these magnificent edifices. "When we compare the ruins of Balbec," says Mr. Wood, "with those of many ancient cities, which we visited in Italy, Greece, and Egypt, and in other parts of Asia, we cannot help thinking them the remains of the boldest plan we ever saw attempted in architecture." "The enormity of the scale," says Mr. Buckingham, "and the magnificence of design, seen throughout the whole of the architecture, with the boldness of the drawing, and the exquisite finish of the sculpture, impressed me with an idea of a labour more than human. I should conceive that in no country was to be found so superb a monument of the inimitable perfection of ancient architecture. The temples and the tombs of Egypt were here equalled in the enormity of the masses, that composed them; and the chamber of the Pyramids rivalled in the closeness of the masonry; while the monuments of Athens itself, in the age of Pericles and Praxiteles, were at least equalled in the richness and beauty of the sculptured ornaments, that adorned them. It appeared to me, that the temples of Edfou, Tentyris, and Thebes, fell far short of this, as a whole; for here the ponderous strength of the Egyptian, and the chastened elegance of the Grecian school, are both most happily combined." Mr. Addison appears to have entertained a different opinion:--"Those ruins," says he, "though so striking and magnificent, are yet, however, quite second rate, when compared with the Athenian ruins; and display, in their decorations, none of the bold conceptions and the genius which characterise the Athenian architecture. There is a peculiar sameness in the decorations of the figures, entablatures, and cornices. The ornaments are all alike, and the festoons of grapes, and vine-leaves hung on goats' and horses' heads, the pendent bunches of grapes and Cupids, however rich in appearance, and beautifully chiselled, can never excite such feelings, as one small portion of the Panathenian frieze of the Parthenon, or one of the Metopes, representing a battle between a Centaur and a Lapithæ. There is a genius in these latter, a combination of talent, a soul, fire, and spirit, which are looked for in vain in the Balbec remains. The great Panathenian frieze of the Parthenon, which extended all around that temple, with its hundreds of horses and warriors, its spirited grouping, and faithful delineation of forms and attitudes; and above it the wars of the Centaurs and Lapithæ, possessed a most exciting interest. The vine-branches and wheat ears of the temple of Balbec, although unquestionably very beautiful, yet appear tame in comparison; and cannot certainly be put in competition with these master-pieces of architectural decoration."