Gyges, king of Lydia, and Croesus, one of his successors, enriched the temple of Delphos with an incredible number of presents. Many other princes, cities, and private persons, by their example, in a kind of emulation of each other, had heaped up in it tripods, vessels, tables, shields, crowns, chariots, and statues of gold and silver of all sizes, equally infinite in number and value. The presents of gold which Croesus alone made to this temple amounted, according to Herodotus, to upwards of 254 talents (about 35,500_l._ sterling); and perhaps those of silver to as much. Most of those presents were in being in the time of Herodotus. Diodorus Siculus, adding those of other princes to them, makes the amount 10,000 talents (about 1,300,000_l_). It is not less surprising than true[213], that one of the most celebrated edifices in the world has been so entirely destroyed, that sufficient traces are scarcely left by which the traveller can form even a conjecture as to its position. During the Sacred war, the people of Phocis seized from it 10,000 talents to maintain their armies against their powerful opponents. Sylla plundered it; and Nero carried away no less than five hundred statues of brass, partly of the gods, and partly of the most illustrious heroes. It had been plundered no less than eleven times before. It is not known when this celebrated oracle ceased. Lucian says that answers were given in his time: but most of the Grecian oracles were annihilated when Constantine relinquished the errors of polytheism. Indeed Constantine the Great proved a more fatal enemy to Apollo and Delphos, than either Sylla or Nero: he removed the sacred tripods to adorn the hippodrome of his own city. Afterwards Julian sent Oribesius to restore the temple, but he was admonished by an oracle to represent to the emperor the deplorable condition of the place. "Tell him, the well-built court is fallen to the ground. Phoebus has not a cottage; nor the prophetic laurel; nor the speaking fountain (Cassotis); but even the beautiful water is extinct." The temple was situated in a very romantic situation; rendered still more striking by the innumerable echoes, which multiplied every sound, and increased the veneration of superstitious visitants. But even its form is unknown; though painters, for the most part, have delineated it as circular, amongst whom may be mentioned Claude Lorrain, and Gaspar Poussin. The Apollo Belvidere is supposed to be a copy from the statue in this temple. The Castalian spring, however, still exists, and equally clear as in ancient times. It is ornamented with ivy, and overshadowed by a large fig-tree, the roots of which have penetrated the fissures of the rock. At the front is a majestic plane-tree. The remains of the town wall are a little to the east of the Castalian spring; but no part of it is left but the interior mass, which consists of an exceedingly hard composition of small stones and mortar.