"On looking from the royal villa or pleasure-house of Ál Generalife," says Mr. Murphy, "the spectator beholds the side of the Alhambra that commands the quarter of the city called the Albrezzin. The massive towers are connected by solid walls, constructed upon the system of fortification, which generally prevailed in the middle ages. Those walls and towers follow all the turnings and windings of the mountain; and previously to the invention of gunpowder and artillery, this fortress must have been almost impregnable. The situation of this edifice is the most delightful and commanding that can be conceived. Wherever the spectator may turn his eyes, it is impossible for him not to be struck with admiration at the picturesque beauty and fertility of the surrounding country. On the north and west, as far as the eye can reach, a lovely plain presents itself, which is covered with an immense number of trees laden with fruit and blossoms; while, on the south, it is bounded by mountains, whose lofty summits are crowned with perpetual snows, whence issue the springs and streams that diffuse both health and coolness through the city of Granada." "But," in the language of Mr. Swinburne, "the glories of Granada have passed away; its streets are choked with filth; its woods destroyed; its territory depopulated; its trade lost. In a word, everything, except the church and the law, is in the most deplorable condition[254]." NO. XXXVIII.--GNIDOS. This was a maritime city of Asia Minor, founded by the Dorians, and much known on account of a victory, which Conon gained over the Lacedemonians. Conon was an Athenian, having the command of the Persian fleet; Pisander, brother-in-law of Agesilaus, of the Lacedemonian. Conon's fleet consisted of ninety galleys; that of Pisander something less. They came in view of each other near Gnidos. Conon took fifty of the enemy's ships. The allies of the Spartans fled, and their chief admiral died fighting to the last, sword in hand. Gnidos was famed for having produced the most renowned sculptors and architects of Greece; amongst whom were Sostratus and Sesostris, who built the celebrated light-tower on the isle of Pharos, considered one of the seven wonders of the world, and whence all similar edifices were afterwards denominated. Venus, surnamed the Gnidian, was the chief deity of this place, where she had a temple, greatly celebrated for a marble statue of the goddess. This beautiful image was the masterpiece of Praxiteles, who had infused into it all the soft graces and attractions of his favourite Phryne; and it became so celebrated, that travellers visited the spot with great eagerness. It represented the goddess in her naked graces, erect in posture, and with her right hand covering her waist; but every feature and every part was so naturally expressed, that the whole seemed to be animated[255].