The Valley of Jehoshaphat[330] was a deep and narrow valley, enclosed on the north by barren heights, which contained the sepulchres of kings, shaded on the west by the heavy and gigantic walls of a pre-existing city; covered at the east by the summit of the Mount of Olives, and crossed by a torrent which rolled its bitter and yellow waves over the broken rocks of the valley of Jehoshaphat. At some paces distant, a black and bare rock detaches itself like a promontory from the base of the mountain, and, suspended over Cedron and the valley, bears several old tombs of kings and patriarchs, formed in gigantic and singular architecture, and strikes like the bridge of death over the valley of lamentations. The fountain of Siloam[331] rises about half way down Mount Sion, and gushes from beneath a little arch, nearly ten feet below the surface, into a small pool about two feet deep; this is quite open, and the rocky sides of the spot are cut smooth. On the south side a flight of steps leads down to it: the water is clear and cold, and flows down the mount into the valley beneath, to a considerable distance. At this stream the women of the city generally come to wash their linen; and its banks are in some parts shaded with trees[332]. The Church of the Holy Sepulchre has the external appearance of a Roman Catholic church. Over the door is a bas-relief, executed in a style of sculpture which at first sight implies an antiquity higher than that of any Christian place of worship; but, upon a nearer view, is recognized the history of the Messiah's entry into Jerusalem. Dr. Clarke is, therefore, disposed to think, that it offers an example of the first work in which Pagan sculptors represented a Christian theme. The interior of this fabric is divided into two parts; and in the anti-chapel is shown the mouth of what is called the sepulchre, the stone whereon the angel sat: this is a block of white marble[333]. The Stone of Unction is covered by a slab of polished marble in the floor of the entrance hall of the Holy Sepulchre. On this the body of Christ was washed, anointed, and prepared for the tomb. (St. John, xix. 39.) It is surrounded by a low rail; and several rich lamps are hung suspended over it. Advancing a few paces to the left, we come into that part of the church, properly denominated the nave. It is an open space in the form of a circle, about thirty-five paces in diameter, and surrounded by sixteen pillars, supporting galleries, and covered in by a dome, not unlike that of the Pantheon at Rome. In the centre of this area, and immediately under the aperture through which the light is admitted, rises a small oblong building of marble, twenty feet in length, by ten in breadth, and about fifteen feet in height, surmounted by a small cupola, standing upon columns; this covers the supposed site of the Saviour's tomb. It is approached by steps leading into an anti-room, or chapel[334].