The former state of Athens is thus described by Barthelemy. "There is not a city in Greece which presents so vast a number of public buildings and monuments as Athens. Edifices, venerable for their antiquity, or admirable for their elegance, raise their majestic heads on all sides. Masterpieces of sculpture are extremely numerous, even in the public places, and concur with the finest productions of the pencil to embellish the porticoes of temples. Here every thing speaks to the eyes of the attentive spectator." To describe Athens entire would be to fill a volume. We shall, therefore, only give an account of the chief monuments of antiquity as they existed till very lately; the rest, as they give one little or no sort of idea of their ancient magnificence, were better omitted than mentioned. The Piræus[56] is one of the finest ports in Greece, and, being bounded by rocks, has experienced hardly any change in its form or dimensions. The sea, however, appears to have encroached a little, as some ruins are seen under water. The general depth of the port is from two to ten fathoms, in some places twenty. The Piræus was decorated with a theatre, several temples, and a great number of statues. As the existence of Athens depended on the safety of this harbour, Themistocles secured it against sudden attack by building a wall, sixty stadia in length, and forty cubits high. As to its thickness, it was greater than the space occupied by two waggons. It was built of huge square stones, fastened together on the outside by iron and leaden cramps. Without the gate was a cenotaph, erected in honour of Euripides, on which was inscribed "The glory of Euripides has all Greece for a monument." The old city of Athens was seated on the top of a rock in the midst of a pleasant plain, which, as the number of inhabitants increased, became full of buildings, which induced the distinction of Acro and Catapolis, _i. e._, of the upper and lower city.