This beautiful Doric temple[79], more resembling in the style of its architecture the temples of Pæstum, than that of Minerva in the Acropolis, and the most entire of any of the structures of ancient Greece, were it not for the damage which the sculpture has sustained, may be considered as still perfect. The ruined state of the metopes and frieze has proved a very fortunate circumstance; for it was owing solely to this that the building escaped the ravages which were going on in the Parthenon. The entire edifice is of Pentelican marble. It stands east and west, the principal front facing the east; and it is that kind of building which was called by ancient architects, as it is expressed in the language of Vitruvius and explained by Stuart, a Peripteros; that is to say, it has a portico of six columns in each front, and on each side a range of eleven columns, exclusive of the columns on the angles. All these columns remain in their original position, excepting two, that separated the portico from the pronaos, which have been demolished. Like all pillars raised according to the most _ancient_ Doric style of buildings, they are without bases or pedestals; standing with inexpressible dignity and simplicity upon the pavement of the covered walk around the cell of the temple. Some of the metopes represent the labours of Hercules; others the exploits of Theseus; and there are some which were never adorned with any sculpture. Above the antæ of the pronaos is a sculptured frieze, the subject of which cannot now be determined; and the battle of the Centaurs and Lapithæ is represented upon a similar frieze of the porticoes. In the tympanum of the pediment, over the eastern front, Stuart observed several holes in the marble, where metal cramps had been fixed for sustaining sculpture in entire relief, as over the eastern entrance to the Parthenon. The action of the atmosphere in this fine climate upon the marble has diffused over the whole edifice, as over the buildings in the Acropolis, a warm ochreous tint, which is peculiar to the ruins of Athens. It bears no resemblance to the black and dingy hue, which is acquired by all works in stone and marble, when they have been exposed to the open air in the more northern countries of Europe, and especially in England. Perhaps to this warm colour, so remarkably characterizing the remains of ancient buildings at Athens, Plutarch alluded in that beautiful passage, cited by Chandler, when he affirmed that the structures of Pericles possessed a peculiar and unparalleled excellence of character. "A certain freshness bloomed upon them," says he, "and preserved their faces uninjured, as if they possessed a never-fading spirit, and had a soul insensible to age." The monument of THRASYLLUS,--an elegant little fabric,--was erected 318 B.C. It is a structure of Pentelic marble, simple, yet highly finished. Its entire height is twenty-nine feet five inches.