defray the expense of all these things, provided it should be declared in the public inscriptions, that he only had been at the charge of them. At these words, the people, either admiring his magnanimity, or fired with emulation, and determined not to let him engross that glory, cried, with one voice, that he might take out of the public treasury all the sums that were necessary for his purpose. Historians expatiate greatly on the magnificent edifices and other works; but it is not easy to say whether the complaints and murmurs raised against him were ill-founded or not. According to Cicero, such edifices and other works only are worthy of admiration as are of use to the public, as aqueducts, city walls, citadels, arsenals, sea-ports; and to these must be added the work, made by Pericles, to join Athens to the port of Piræus. Mons. de La Martine speaks of the only two figures that now adorn the Parthenon thus:--"At the Parthenon there remain only the two figures of Mars and Venus, half crushed by two enormous fragments of cornice, which have glided over their heads; but these two figures are to me worth more than all I have seen in sculpture in my life. They live as no other canvas or marble has ever lived. One feels that the chisel of Phidias trembled, burned in his hand, when these sublime figures started into being under his fingers." The following observations in regard to colour are by Mr. Williams:--"The Parthenon, in its present corroded state, impresses the mind with the idea of its thousands of years. The purity of marble has disappeared; but still the eye is charmed with the varied livery of time. The western front is rich in golden hues, and seems as if it had absorbed the evening beams[85]; little white appears, except the tympanum and part of the entablature. But the brightest orange colour, and grey and sulphury hues, combine in sweetest harmony. The noble shafts of the huge columns are uniformly toned with yellow, of a brownish cast, admitting here and there a little grey. Casting the eye to the inner cell, we see dark hues of olive mixed with various tints, adorning the existing frieze and pillars; and these, opposed to brilliant white, afford a point and power of expression, which never fails to please." Sir J. C. Hobhouse says, Lord Elgin's injuries were these; the taking off the metopes, the statue over the theatre of Bacchus, and the statues of the west pediment of the Parthenon; and the carrying away one of the Caryatides, and the finest of the columns of the Erectheum. "No other," continues Sir John, "comes, I believe, within the limits of censure--no other marbles were detached."