Soon after this, designing to raise a monument to his friend Hephæstion, he caused nearly six furlongs of the city wall to be beat down; and having got together a vast number of skilful workmen, he built a very magnificent monumental structure over the part he had caused to be levelled. That the reader may have a distinct idea of the grandeur of this structure, it is necessary to admit a full account of it. It is thus given in Rollin's "History of Alexander":--"It was divided into thirty parts, in each of which was raised a uniform building, the roof of which was covered with great planks of palm-tree wood. The whole formed a perfect square, the circumference of which was adorned with extraordinary magnificence. Each side was a furlong, or an hundred fathoms in length. At the foot of it, and in the first row, there was set two hundred and forty-four prows of ships gilded, on the buttresses or supporters whereof the statues of two archers, four cubits high, with one knee on the ground, were fixed; and two other statues, in an upright posture, completely armed, bigger than the life, being five cubits in height. The spaces between the rows were spread and adorned with scarlet cloth. Over these prows was a colonnade of large flambeaux which, ending at top, terminated towards eagles, which, with their heads turned downwards, and extended wings, served as capitals. Dragons fixed near, or upon the base, turned their heads upwards towards the eagles. Over this colonnade stood a third, in the base of which was represented, in relievo, a party of hunting animals of every kind. On the superior order, that is, the fourth, the combat of Centaurs was represented in gold. Finally, on the fifth, golden figures, representing lions and bulls, were placed alternately. The whole edifice terminated with military trophies after the Macedonian and Babylonian fashion, as so many symbols of the victory of the former, and the defeat of the latter. On the entablatures and roofs were represented Syrens, the hollow bodies of which were filled, but in an imperceptible manner, with musicians, who sang mournful airs and dirges in honour of the deceased. This edifice was upwards of one hundred and thirty cubits high; that is, one hundred and ninety-five feet. The beauty and the design of this structure," concludes our author, "the singularity and magnificence of the decorations, and the several ornaments of it, surpassed the most wonderful productions of fancy, and were all in exquisite taste. The designer and architect of the whole, was Stasicrates; he who offered to cut Mount Athos into the shape of a man. The cost of this monument was no less than twelve thousand talents; that is, more than one million eight hundred thousand pounds!"