It is impossible to say at what period the amphitheatre was first suffered to decay. The sanguinary exhibitions of the gladiators were abolished in the reign of Honorius, at the commencement of the fifth century; yet so late as 1632, it must have been perfect, as bull-fights, and other games, were at that time exhibited. A great portion of the southern side was demolished by order of Paul III., it is said at the recommendation of Michael Angelo, to furnish materials for the Farnese palace for his nephew, and the complaints of the populace alone saved it from total demolition. It has however since suffered frequently from similar depredations of worse than Goths and Vandals, so that “From its mass, Walls, palaces, half cities have been rear’d.” These robberies have now ceased; Benedict XIV. having, by the erection of a series of altars in the arena, made the whole consecrated ground; a most efficient protection against the ravages of modern barbarism. Pius has also erected a massive buttress against the weakest end, and repaired some parts of the interior. Thus, after a lapse of nearly eighteen centuries, having frequently suffered from earthquakes, storms, and fire; having been several times battered as a fortress, during the civil contentions of the middle ages; defaced as a quarter for soldiers; used as a manufactory, and worked as a quarry, it still remains a miracle of human labour and ingenuity, and is, even in its present state, one of the noblest remains of antiquity, and the most wonderful monument of Roman magnificence. Solitary and desolated, it is still grand and imposing; the rich hues which time has overspread its venerable fragments with, the luxuriant clusters of vegetation, and the graceful drapery of numerous beautiful creepers, festooning from the rifted arches, and broken arcades, whilst assimilating with the general character, add an indescribable richness and variety to the whole, that has a powerful effect on the mind of the spectator. When the whole amphitheatre was entire[190], a child might comprehend its design in a moment, and go direct to his place without straying in the porticoes; for each arcade bears its number engraved, and opposite each arcade was a staircase. This multiplicity of wide, straight, and separate passages, proves the attention which the ancients paid to the safe discharge of a crowd.[191] As it now stands, the Coliseum is a striking image of Rome itself;—decayed, vacant, serious; yet grand:—half grey, and half green; erect on one side and fallen on the other, with consecrated ground in its bosom, inhabited by a herdsman; visited by every caste: for moralists, antiquaries, painters, architects, devotees, all meet here to meditate, to examine, to draw, to measure, and to copy.