Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present ConditionBucke, Charles
History
Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present Condition
Bucke, Charles
Cities and towns, Ancient
immense tusks; the hair over the forehead is curiously shown, and almost
appears to have represented the serpents to which it was changed. The
figure of Minerva on the right is draped with the ‘πέπλον,’ and has the
Mæander ornament on the edge. The figure of Perseus is in the centre; he
is armed with the harp of Mercury and the helmet of Pluto, which latter
has a pendant falling on each side; the ‘πτηνὰ πέδιλα,’ or _talaria_,
are represented as covering the feet entirely, and bear some resemblance
to the ancient greaves; the front part is attached to the ancle by
thongs. The form of the young Pegasus is exceedingly beautiful; he seems
bounding from the earth. The metope, containing the figure bearing two
others on its shoulders, represents the adventure of Hercules, surnamed
Melampyges, from the black and hairy appearance of his loins. The story
is as follows:—Passalus and Achemon, two brothers, reviled their mother,
who warned them to beware of a man whose loins were covered with black
hair. They attempted to rob Hercules while asleep, and from that had the
name of Cercopes; in the attempt they failed and awoke him, and he bound
them hand and foot to his bow, with their heads downwards, and carried
them in that manner. They began laughing on the accomplishment of their
mother’s prophecy; Hercules asked them why they laughed, and on their
telling him the reason, he also laughed and liberated them. The figure
of the god is represented as strong and muscular, and the two prisoners
have a very ludicrous appearance; in the reversed position, the hair
falls in a curious manner; the whole group has been painted in various
colours, and in the countenances much of Egyptian expression is to be
observed. The horses which draw the chariot formed part of the centre
metope of the Eastern Temple; it is very imperfect, and is supposed to
represent the celebration of the race of Pelops and Œnomus; they are
drawn full of fire and courage, and are finely fore-shortened; they have
the cropped ears and manes which are observable in those of the
Parthenon.
Public-domain text, read in full here on John Shaqi.
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