Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present ConditionBucke, Charles
History
Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present Condition
Bucke, Charles
Cities and towns, Ancient
Sicyon was in great reputation for the arts, and painting in particular;
the true taste for which was preserved there in all its ancient purity.
It is even said, that Apelles, who was then admired by all the world,
had been at Sicyon, where he frequented the schools of two painters, to
whom he gave a talent; not for acquiring a perfection of the art from
them, but in order to obtain a share in their great reputation. When
Aratus had reinstated his city in its former liberties, he destroyed all
the pictures of the tyrants; but when he came to that of Aristratus, who
reigned in the time of Philip, and whom the painter had represented in
the attitude of standing in a triumphant chariot, he hesitated a long
time whether he should deface it or not; for all the capital disciples
of Melanthus had contributed to the completion of that piece; and it had
even been touched by the pencil of Apelles. This work was so inimitable
in its kind, that Aratus was enchanted with its beauties; but his
aversion to tyrants prevailed over his admiration of the picture, and he
accordingly ordered it to be destroyed.
In the time of Pausanias, Sicyon was destroyed by an earthquake. It was,
nevertheless, not long after, not only one of the noblest cities of
Greece, on account of its magnificent edifices, many of which were built
of marble, and ingenious workmen, but it was a distinguished place when
the Venetians were masters of the Morea. The period, however, when it
fell from that eminence is unknown.
Sicyon[220] was the school of the most celebrated artists of antiquity,
and was sumptuously decorated with temples and statues. Pausanias
enumerates seventeen temples, a stadium, a theatre, two gymnasia, an
agora, a senate-house, and a temenos for the Roman emperors, with many
altars, monuments, and numerous statues of ivory and gold, of marble, of
bronze, and of wood.
Its present condition, in respect to population, may be, in a great
measure, attributed to its having, about twenty years before Sir George
Wheler visited it, been afflicted by the plague. “This final
destruction,” said one of the inhabitants, “is a judgment of God upon
the Turks for turning one of the Christian churches into a mosque. The
Vaywode fell down dead upon the place, the first time he caused the
Koran to be read in it. This was followed by a plague, which, in a short
time, utterly destroyed the whole town; and it could never afterwards be
repeopled.”
So little is known[221] concerning this ancient seat of Grecian power,
that it is not possible to ascertain in what period it dwindled from its
pre-eminence to become, what it is now, one of the most wretched
villages of the Peloponnesus. The remains of its former magnificence
are, however, still considerable, and in some instances they exist in
such a state of preservation, that it is evident the buildings of the
city either survived the earthquakes said to have overwhelmed them, or
they must have been constructed at some later period.
Public-domain text, read in full here on John Shaqi.
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