Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present ConditionBucke, Charles
History
Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present Condition
Bucke, Charles
Cities and towns, Ancient
The palace of Dionysius, his tomb, the baths of Daphnis, and other
ancient buildings, and all their statues and paintings[263], have
disappeared; but the Ear, of which history speaks so loud, still
remains. It is no less a monument of the ingenuity and magnificence,
than of the cruelty of the tyrant. It is a huge cavern, cut out of the
hard rock, exactly in the form of the human ear. The perpendicular
height of it is about eighty feet, and the length is no less than two
hundred and fifty. The cavern was said to be so contrived, that every
sound, made in it, was collected and united into one point as into a
focus. This was called the tympanum; and exactly opposite to it the
tyrant had made a hole, communicating with a little apartment, in which
he used to conceal himself. He applied his own ear to this hole, and is
said to have heard distinctly every word that was spoken in the cavern
below. This apartment was no sooner finished, than he put to death all
the workmen that had been employed in it. He then confined all those
that he suspected of being his enemies; and by hearing their
conversation judged of their guilt, and condemned or acquitted
accordingly.
The holes in the rock, to which the prisoners were chained, still
remain, and even the lead and iron in several of the holes.
The cathedral[264], now dedicated to Our Lady of the Pillar, was the
temple of Minerva, on the summit of which her statue was fixed; holding
a broad, refulgent shield. Every Syracusan, that sailed out of the port,
was bound by his religion to carry honey, flowers, and ashes, which he
threw into the sea, the instant he lost sight of the buckler. This was
to ensure a safe return. The temple is built in the Doric proportions,
used in the rest of Sicily. Its exterior dimensions are one hundred and
eighty-five feet in length, and seventy-five in breadth.
The amphitheatre[265] is in the form of a very eccentric ellipse; but
the theatre is so entire, that most of the seats still remain.
The great harbour ran into the heart of the city, and was called
“Marmoreo,” because it was entirely encompassed with buildings of
marble. Though the buildings are gone, the harbour exists in all its
beauty. It is capable of receiving vessels of the greatest burden, and
of containing a numerous fleet. Although at present this harbour is
entirely neglected, it might easily be rendered a great naval and
commercial station.
The catacombs are a great work; not inferior either to those of Rome or
Naples, and in the same style.
Public-domain text, read in full here on John Shaqi.
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