In the lower series on the front-wall of the _first_ gallery we see, on the second sculpture south of the eastern staircase, the _Bodhisattva_ ploughing his field as a farmer. Performing this task he suddenly finds a treasure the fourth part of which he presents the needy. (W. L., engraving CXXXVI). This is the _Kanytyanakhandhajâtaka_. In the upper series on the very same wall van Erp thought the last of the 4 sculptures, after the _fourth_ corner west of the southern staircase, to be another _Sigala-jâtaka_. In imitation of professor Speyer’s however, I described this as the _jâtaka_’s conclusion, the starving _sparrow_ asking the lion for a little bit of the prey he killed shortly before. (W. L.’s engraving CLXX). And in 5 _relievoes_ on the same front-wall, but on the northern side of the ruin (not engraved in L’s) he meant he saw the _Mora-jâtaka_, where the _Bodhisattva_, caught as a peacock by the hunter of the king of _Bénarès_, teaches the doctrine to the prince. Another _jâtaka_ has been still mentioned in Leemans’ (Engraving CLXXXIII, and CLXXXIV and 3 other ones), where the _Bodhisattva_ died a monkey when he sacrificed his life for the sake of his blind mother. His younger brother did likewise all which can’t prevent the hunter from shooting down even the mother-monkey after having first killed the two others. It is the _Syula-Nandiya-jâtaka_ in which the wicked hunter is being severely punished. According to the pâli-text the _Buddha_ himself related that this former hunter afterwards became his wicked nephew Devadatta; his younger brother-monkey Ananda, and that their blind mother was afterwards reincarnated in his step- and foster-mother Gotamî[67]. Van Erp gives us at last an explanation of another _relievo_ we see on the lower series of the same wall, but this hasn’t been engraved in Leemans’ work either. Consulting the ground-plan we come across number 120 which refers to the panel it has been sculptured upon. Van Erp possesses a photography of this. It corresponds pretty well to the relievoes I described as 11 and 12 of the upper series behind the second corner south of the eastern staircase, because in the two jâtakas the _Bodhisattva_ represents a hare who flings herself into a fire to feed a hungry traveller; in this _Syasya-jâtaka_ however, the mentioned hungry man does not represent the deity Indra but rather a _risyi_ or anachorete, who rescues the hare out of the flames as well as Indra did. I further mention that each of the terraces under foot lies about 3 yards higher than the preceding one, and communicates with each other by staircases of about 10 treads on an average. Further, that each gallery between the walls is about 2 yards wide, and that these walls have a thickness of 1½ yard.