Rule of the Monk; Or, Rome in the Nineteenth CenturyGaribaldi, Giuseppe
History
Rule of the Monk; Or, Rome in the Nineteenth Century
Garibaldi, Giuseppe
Italian fiction -- Translations into English; Rome (Italy) -- History -- 1798-1870 -- Fiction
"Onward! onward! _gondola mio!_ onward and overtake that too swift boat
which bears away my life; and why should not that lovely girl be such to
me, the Adriatic beauty of which I have dreamed a thousand times, when
Venice was enslaved as my poor Rome still is? Yet why did I only catch a
glimpse of her? Why did her dazzling eye thus meet mine, subdue me in
a moment, and make me hers forever, only to disappear? and has not her
magic glance wounded others as well as me? The very atmosphere around
her intoxicated me; must it not have affected all near her? _Ah, Dio!_
is this love at last? Is this that transient passion which men enjoy as
they bite at doubtful fruits and throw them away when tasted? or is
it that spiritual love which brings the creature near to God, which
transforms the miseries of life, its dangers, death itself, into
ineffable happiness? Yes! it is that; and now, come ye powerful of the
earth, dare but to touch my mistress whom I love with indescribable
passion, approach her with an army of ruffians at your back, profane
but the hem of her gown, and my sword shall defy all for her sweet sake.
Onward! onward!" cried the Prince, interrupting his own soliloquy. "Row
hard, and if one crown be not enough, you shall have ten. Onward!"
"But suppose she were a plebeian? Well! in the name of heaven what is
a plebeian? When God created man did he make patricians and plebeians?
Does not the power that awes the vulgar come from tyrants and despots?"
"Ah! if that beautiful young creature should prove an impure, a nameless
one!"
"Oh, blasphemer of love, cease your profanity! How could a guilty
woman's face show such pure transcendent loveliness!"
Annita _was_ a plebeian. The entrance to her dwelling showed that.
There stood no columned porch where the gondola drew up before a simple
door-step. The plain little staircase was bare; no rich vases with
exotic flowers stood about the threshold. A few flower-pots adorned the
window-sills, for Annita loved flowers as well as a princess could love
them, but hers were little, simple blossoms--I will not say poor ones,
for they were dear to the young girl, a very treasure to her.
An aged lady, who by day would have attracted the attention of every
one--so great was the anxiety depicted on her face--had awaited
until that moment, eleven at night, her beloved Annita, who, with the
curiosity of a child, had desired, like others, to have a close view of
the man of the people. Mario, her only brother, being absent, the mother
had confided her to the care of the family gondolier.
Public-domain text, read in full here on John Shaqi.
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