Rule of the Monk; Or, Rome in the Nineteenth CenturyGaribaldi, Giuseppe
History
Rule of the Monk; Or, Rome in the Nineteenth Century
Garibaldi, Giuseppe
Italian fiction -- Translations into English; Rome (Italy) -- History -- 1798-1870 -- Fiction
"At length, after feeling about for some time, and being almost reduced
to despair, I leaned heavily against the wall, and felt it give way with
my weight.
"Hope re-awoke; I rubbed my hands over that part of the wall, and found
to my surprise that it was wooden, which fact had escaped me in my
previous investigation. I pushed hard against the planks, and then felt
something move, as if a door on its hinges; at the same time a rush of
offensive pestilential air entered by the aperture. I turned my head
away to escape the putrid odor. The moans which I had before heard again
smote my ear, and calmed my agitation with wonder and pity.
"I thought of my companions, and remembered a few matches which I had in
my pocket, but which I had forgotten in my excitement. I struck one of
them, and looking at what I had supposed to be a door, found that it
was a turntable, and, Eureka! at the bottom lay my taper, which the old
wretch had dropped in her flight.
"When I had rekindled my taper, I found my companions near me, trembling
like leaves.
"'Courage!' said I, and threw myself into the adjoining apartment, they
following, in the hope of overtaking the abbess, who had doubtless
escaped this way. I hastened on, but, great God! what was my horror!
against the wall of the room through which I was flying, hung several
human beings by the neck, the waist, and the arms, all but one dead, and
more or less decomposed. The solitary survivor was a young man, once of
a fine form, but now an emaciated phantom. He was wildly gazing at
me, with deep, dark, open eyes, that seemed ready to burst from their
sockets. He had ceased to moan, conscious that I had discovered and was
approaching him. Whatever the danger of my own position, I could
not leave that victim without making some attempt to liberate him. I
approached, and kissed him on the forehead; I always feel drawn towards
the suffering. Sorely the Almighty inspires one with this sympathy,
which is not imparted by the poisonous breath of the priest!--Well,
well, let them call me a brigand!
"Yes, I kissed the unhappy creature's forehead, dropping sweat, yet
burning like a coal. But what could I do for him? his chains were
soldered into the wall, and those walls were massive. I looked among the
dead, to see if I could find any iron implement with which to excavate
the wall, or to break the chains. Horrible! in every direction
were instruments of torture--bedsteads, stretchers, pincers, ropes,
gridirons, etc., 'for the mortification of the flesh,' as the priests
say, but which fiends alone could have invented, one would think, for
the torment of mankind.
"Nanna and Maria--such was the name of Nanna's companion--had also drawn
near the unhappy youth, and endeavored, but in vain, to help him to
escape from his frightful position. Happily for us all, Nanna
startled me with the exclamation, 'Oh, a key!' and truly, being very
sharp-sighted, she had discovered a key in the loose mortar.
Public-domain text, read in full here on John Shaqi.
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