The private life of Roderigo had been a perpetual disgrace to his ecclesiastical functions. In the Papal History by Dr. Beggi (edition 1862, pages 553-556) we are told that this cardinal was at one time sovereign regent of Rome, that he had a ferocious and indomitable ambition, with such a perverse spirit fomented by debauchery, luxury, and riches, that in the contempt of any pretense of virtue, he lived publicly with a barefaced concubine named Rosa Vennozza, by whom he had many children. After his election to the chair of St. Peter, he created his eldest son Duke of Candia. Cæsar Borgia was the second son; Lucretia Borgia was of the same stock, and the eldest of several daughters whom he had by other mistresses. On the death of Innocent VIII., Cardinal Roderigo Borgia, being the most powerful in authority and wealth, with cunning artifices, and corrupt promises to the Roman barons and the most influential cardinals--such as the Sforzas, the Orsini, the Riarii, and others, ascended the papal chair under the title of Alexander VI. NOTE 2. A better illustration of the manner in which the Church of Rome applies her patronage of the fine arts to the inculcation of her doctrines and the increase of her power, can hardly be found than among the frescoes of the Campo Santo, Pisa. Here we have represented the most ghastly cartoons of death, judgment, purgatory, and hell; we behold angels and devils fighting for the souls of the departed, snakes devouring, fiends scorching, red-hot hooks tearing their flesh. Those on earth can, so say the priests, rescue their unfortunate relatives from this melancholy position by giving donations to their spiritual fathers, who will then pray for their escape. We read in the New Testament that the rich enter heaven with difficulty, but it is they, according to the Church of Rome, who enter easily, whilst the poor are virtually excluded. NOTE 3.