two-fold; and on the day of the wedding the great hall of the palace, in addition to its silken hangings interwoven with gold and precious stones, its tapestry of sheer gold, its thousand vessels of silver, its golden service chased with the history of the world, silver casks of wine were suspended from the ceiling, and a huge silver fountain spouted the choicest and costliest of all wines, the Tokay of Hungary. The manuscripts in their jewelled cases, the thousand objects of barbaric magnificence, were gone forever. There was no modern art that could simulate them, even could craftsmen be found with patience for the attempt; but Ranata had persuaded the Emperor to send to Buda some twenty of the superfluous Gobelins which the Hapsburgs have retained throughout their vicissitudes. Her argument had enlivened the mood of her father, and raised still higher his hope in his youngest born. “The Hungarians,” Ranata had written, “no doubt resent the very obvious fact that there are so few treasures in the Palace of Buda, and, knowing that our tapestries are packed away in large numbers, and are as priceless as they are beautiful, must infer that we fear to trust them in this most precarious of our possessions. So it has seemed to me that it would be another stroke of diplomacy to send several of the best, with the understanding that they are to remain here. It is a small yet impressive sum to stake as an expression of our confidence in ourselves and our Hungarian subjects.” The tapestries had been promptly despatched, and now hung in the four circle rooms opening into the Great Hall of Ceremonies, and in the blue drawing-room and adjacent dining-room. These rooms, as well as the long suite down the front of the palace, were recalled for the night of the ball from their arctic splendors by a lavish adornment of palms and flowers, and in several of the smaller rooms the lights were pink. Modern as it was, the Great Hall itself, with its panels, like lakes of liquid gold, its heavy incrustations of yellow bronze on the brilliant white of the wood, and its immense chandeliers, with their thousand points of light, was too perfect in its way to gain aught from the past, nor did Ranata add so much as a flower.