Run to Earth: A NovelBraddon, M. E. (Mary Elizabeth)
General
Run to Earth: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction
There were very few nights on which Paulina Durski's saloons were not
enlivened by the presence of many guests. Her visitors were all
gentlemen; but they treated the mistress of the house with as much
respect as if she had been surrounded by women of the highest rank.
Night after night the same men assembled in those faded saloons; night
after night the carriages rolled along the avenue--the flashing lamps
illuminated the darkness. Those who watched the proceedings of the
Austrian widow had good reason to wonder what the attraction was which
brought those visitors so constantly to Hilton House. Many speculations
were formed, and the fair widow's reputation suffered much at the hands
of her neighbours; but none guessed the real charm of those nightly
receptions.
That secret was known only to those within the mansion; and from those
it could not be hidden.
The charm which drew so many visitors to the saloons of Madame Durski
was the fatal spell of the gaming-table. The beautiful Paulina opened a
suite of three spacious chambers for the reception of her guests. In
the outer apartment there was a piano; and it was here Paulina
sat--with her constant companion, Matilda Brewer. In the second
apartment were small green velvet-covered tables, devoted to whist and
_écarté_. The third, and inner, apartment was much larger than either
of the others, and in this room there was a table for _rouge et noir_.
The door of this inner apartment was papered so as to appear when
closed like a portion of the wall. A heavy picture was securely
fastened upon this papered surface, and the door was lined with iron.
Once closed, this door was not easily to be discovered by the eye of a
stranger; and, even when discovered, it was not easily to be opened.
It was secured with a spring lock, which fastened of itself as the door
swung to.
This inner apartment had no windows. It was never used in the day-time.
It was a secret chamber, hidden in the very centre of the house; and
only an architect or a detective officer would have been likely to have
discovered its existence. The walls were hung with red cloth, and
Madame Durski always spoke of this apartment as the Red Drawing-room.
Her servants were forbidden to mention the chamber in their
conversation with the neighbours, and the members of the Austrian
widow's household were too well trained to disobey any such orders.
By the laws of England, the existence of a table for _rouge et noir_ is
forbidden. All these precautions were therefore necessary to insure
safety for the guests of Madame Durski.
Public-domain text, read in full here on John Shaqi.
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