She saw him disappear, and waited. She waited until von Klausen's young
head and shoulders came above the steps.
"Franz!" she cried.
The Austrian hurried to her.
Stainton did not look back at them. He turned up the path that led
around the rock, moving with the elastic step of a schoolboy going from
his classroom to the playground. He almost ran up the wooded steep
behind the cliff, and he was conscious of a familiar pride in the ease
with which he made his way over the rapidly increasing angle of the
mountainside. When he passed the timber line and came to the walls of
bare rock along which the narrowed path wound more and more dangerously,
his breath was shorter than it used to be in his climbing days in the
Rockies, yet he moved swiftly. He ran along ledges that would make most
men's heads swim, spurned stones that slipped beneath him, leaped from
towering rocks to rocks that towered over hidden descents. He was driven
by a mighty exaltation, by a stinging delight in the approach of
finality. He was drunk with the most potent of sensations: the
sensation that nothing could matter, that the worst to befall him was
the measure of his desire. He was about to make the great sacrifice. He
was about to fling himself from the cliff at the beetling chapel of St.
Pilon. By ending his life in such a way that Muriel would suppose that
end an accident, he was, for the woman he loved, about to court the
death that he had all his life feared.
He reached the mountain's bald top, and there flamed about him the
panorama of the Chaine de la Sainte Baume from Toulon to Marseilles,
from the mountains to the sea. It was blue, intensely blue, under a full
sun and in an air vibrant with health. The sky was a vivid blue,
cloudless, the distant water was a blue that danced before his eyes. The
summits of stone that fell away at his feet among cliffs and precipices
were grey-blue. The deep valleys' greens were bluish green, and here and
there, where he could barely distinguish the cottage of a forester or
the hut of a charcoal-burner, there rose, incapable of attaining
half-way to the awful height on which he stood, lazy wreaths of a smoke
that was blue.
He was alone. Ahead of him and ten feet above stood the chapel: a single
room, its third side open to the air, its walls seeming to totter on the
edge of a tremendous nothingness. He walked resolutely around the
chapel; found that, in reality, there was a ledge a yard wide between it
and the drop; looked over and then instinctively fell on his knees and
so upon his belly, thrusting his head over the awful descent.
Public-domain text, read in full here on John Shaqi.
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