"Very sorry to interrupt so pleasant a talk, specially when on so
charming a subject as Sir Thomas Hayter," said Lord Dollamore,
approaching; "but I come as a deputation from the general company to
beg that Mrs. Hammond will sing to us."
"Mrs. Hammond would be charmed," said that lady; "but to-night she is
out of voice, and really cannot."
"Do, Mrs. Hammond; as a matter of mere charity, do," said Lord
Dollamore. "That delightful person Mrs. Charteris,--most delightful,
and kind, and all that,--has been trilling away every evening until
one is absolutely sick of her thin little voice. Do, for pity's sake,
change the note, and let us have a little of your contralto. Do."
"You're very polite, Lord Dollamore; and 'as a matter of mere charity'
I should be delighted to help you, but really I am out of voice and
cannot. Stay; the old rule in convivial societies was, or I am
mistaken, that one should sing or find a substitute. Now I think
I can do the latter. Miss Hammond's companion, governess, what you
will,--Miss Gillespie,--sings charmingly. If Lady Mitford will permit
me, I will send for her."
Georgie, appealed to, was only too well pleased to secure such an aid
to the evening's entertainment; so a message was sent to Miss
Gillespie, and she was requested to "bring some songs;" Miss Hayter
filling up the interval by playing, sufficiently brilliantly, a
_pot-pourri_ of dance-music.
Towards the end of this performance the door opened and Miss Gillespie
entered. All eyes were instantly turned towards her, and--in the case
of all the men at least--the casual glance grew into a lengthened
gaze. She was a very striking-looking woman, with her sallow cheeks,
her large eyes, her brown hair rolling in crisp waves on her
forehead. She was dressed in a tight-fitting brown-silk dress with
handsomely-worked collar and sleeves, and in her hand she carried a
roll of music, of which Lord Dollamore stepped forward to relieve her;
but she thanked him with a slight bow and sat down on the chair close
to the door, still retaining her roll of music in her hand.
Public-domain text, read in full here on John Shaqi.
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