At the conclusion of the second song, Lady Mitford came across to the
piano to thank the singer, and she was followed by Mrs. Charteris and
Mrs. Masters. Mrs. Charteris was in the highest delight--a feeling;
not at all decreased when Miss Gillespie assured her that she had
frequently listened to her, Mrs. Charteris's, singing, and had often
envied that lady her correct musical education. Mrs. Masters said her
little complimentary say about the song, but was principally taken up
by Miss Gillespie's costume. She was one of those women who never see
anything new worn by any other woman without taking private mental
notes of its every detail; thus setting at defiance any attempted
extension of the Patent laws in regard to female apparel. So, with her
eyes devouring Miss Gillespie's dress, Mrs. Masters said to her "Yes,
so charming that Glück! so full of depth and power!--(Wonderfully good
silk; stands by itself like a board!)--And the little French
_chansonnette_, so sparkling and melodious, and--(O yes, certainly
French I should think! no English house could--) may I ask you where
you got that collar and those cuffs, Miss--Miss Asplin? They are most
peculiar!"
"My name is Gillespie, madam; and the collar and cuffs I worked
myself." After which Mrs. Masters bowed, and went back to her seat.
During this examination Laurence Alsager, who had seated himself next
to Miss Hayter, in the neighbourhood of the piano, was conscious that
Miss Gillespie's looks constantly strayed towards him. It is very odd.
There was nothing coquettish in the regard, he knew every one in that
category of glances of old; but these were strangely earnest looks,
always averted when she found they were remarked. While they were full
upon him, Miss Hayter, in reply to something he had said about his
delight in ferns, expressed a hope that they would see him at her
father's place, the Arme Wood, where there was a splendid fernery.
Laurence, in reply, thanked her, and said how happy he would have been
to go, but that he feared it would be impossible, as he intended to
leave Redmoor in a day or two. He must be a dutiful son, and visit his
father, whom he had not seen since his return to England. As he said
this Miss Gillespie's eyes were full on him.
They were very singular eyes, he thought, as he undressed himself
lazily before the fire in his bed-room. Very singular eyes; so large,
and dark, and speaking. What on earth made the woman look at him so
perpetually! He was growing too old to inspire love at first sight, he
felt, smiling grimly as he inspected himself in the looking-glass;
besides, she was not the style of woman for any such folly. How
magnificently she sung! what depth and pathos there was in her voice!
"Eurydice, Eurydice!"--those notes were enough to go through any man's
soul; those notes were enough to--hallo, what's this?
He had strolled across to the dressing-table, and taken up a small
sealed Dote, addressed in a thin fine female hand to Colonel Alsager.
Public-domain text, read in full here on John Shaqi.
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