A man of middle height, with brown-black hair, a perfectly bloodless
complexion, stern deeply sunken eyes, a stiff moustache bristling over
a determined mouth. A man with small hands and feet, and apparently
but little muscular development, but strong, brave, and vindictive. A
man whose face Lavater might have studied for months without getting
beyond the merest rudiments of his science--impassive, unaltering,
statuesque. He never played but with rouleaux of napoleons--twenty
in a rouleau; and though the space in front of him was shining with
gold at one moment, or laid bare by the sweeping rake of the
croupier,--winning or losing, his expression would not change for an
instant. He had been to Baden for two or three seasons running, and
was beginning to be looked upon as an _habitué_; the croupiers
acknowledged his taking his seat, intending to do battle, by a slight
grave bow; he had broken the bank more than once, and was a lion among
the visitors, and notably amongst the English. Tchernigow's horses and
carriages, his bold play, his good shooting, the wonderful way in
which he spoke our language, his love of solitude, his taciturnity,
his singular physique, were all freely discussed at the late
_tables-d'hôte_ of hotels at which the prince was not staving. His
reputation of _beau joueur_ caused him to be followed as soon as he
was seen going into the rooms, and his play was watched and humbly
imitated by scores. He seldom attended the balls, and very rarely
danced, though he valsed to perfection; and all the women in the room
were eager for his selection. His appearance on the promenade always
excited attention, but he never gave the smallest sign of having
observed it.
Public-domain text, read in full here on John Shaqi.
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