Runnymede and Lincoln Fair : $b A story of the Great CharterEdgar, John G. (John George)
History
Runnymede and Lincoln Fair : $b A story of the Great Charter
Edgar, John G. (John George)
Great Britain -- History -- John, 1199-1216 -- Fiction
After reaching Chas-Chateil, and relating his adventure to Dame
Waledger, Sir Anthony saw no reason to repent of the resolution he had
expressed to befriend the mysterious entity whom, as he devoutly
believed, the saints had sent to his succour in the hour of peril, and
when, otherwise, nothing could have intervened between him and certain
destruction. The dame encouraged his pious intent, and expressed
unbounded curiosity to see the strange child but for whose timely
appearance she would have been a weeping widow; and no sooner had the
knight dined than he sent for the young stranger to the daïs of the
great hall.
Apprehensive, however, that the whole business--the carouse of the
previous night, the boar-hunt of the morning, and the danger to which
her husband had been exposed, might be a device of Satan, and that the
boar and the boy might be agents of his satanic majesty, Dame Waledger
suggested the propriety of first handing over the child to be examined
by the chaplain of the castle as to his origin and position in life; and
Father Peter, though a little nervous, undertook the delicate
investigation.
The result was, in the main, satisfactory. Father Peter was no great
linguist, but he had been on the continent, and knew enough of
continental tongues to comprehend that the boy’s name was Pedro; that he
was a native of Burgos, the capital of Castile; that he had left his
country as one of a band of musicians bound for London: that they had
been shipwrecked on the coast, and that he, having escaped a watery
grave, had wandered into the woods, not knowing whither he went; and on
the approach of the boar, and the hounds, and the hunter, he had climbed
a tree to escape observation; and, with an innocent smile, he confirmed
his story by producing an instrument, and accompanying himself, while he
sang the ballad of “The Captive Knight and the Merle;” and finally
melted all hearts by bursting into tears, and deploring his plight as a
helpless orphan in a strange land.
The victory was now complete. Dame Waledger insisted on young Pedro
being handed over to her as a page; and in a day or two he was strutting
about dressed in crimson, accompanying the ladies of the castle when
they ventured into the chase to fly their hawks, singing to them his
native ballads, and diverting them with his droll attempts to speak the
language of the country in which he found himself, and of the people
among whom he had been so strangely cast.
Public-domain text, read in full here on John Shaqi.
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