Although we decline to give specific directions about what varieties of
furniture should constitute the furnishings of a house, or to illustrate
its style or fashion by drawings, and content ourself with the single
remark, that it should, in all cases, be strong, plain, and durable--no
sham, nor ostentation about it--and such as is _made for use_: mere
trinkets stuck about the room, on center tables, in corners, or on the
mantel-piece, are the foolishest things imaginable. They are costly;
they require a world of care, to keep them in condition; and then, with
all this care, they are good for nothing, in any sensible use. We have
frequently been into a country house, where we anticipated better
things, and, on being introduced into the "parlor," actually found
everything in the furniture line so dainty and "prinked up," that we
were afraid to sit down on the frail things stuck around by way of
seats, for fear of breaking them; and everything about it looked so
gingerly and inhospitable, that we felt an absolute relief when we could
fairly get out of it, and take a place by the wide old fireplace, in the
common living room, comfortably ensconced in a good old easy,
high-backed, split-bottomed chair--there was positive comfort in that,
when in the "parlor" there was nothing but restraint and _dis_comfort.
No; leave all this vanity to town-folk, who have nothing better--or who,
at least, think they have--to amuse themselves with; it has no fitness
for a country dwelling, whatever. All this kind of frippery smacks of
the boarding school, the pirouette, and the dancing master, and is out
of character for the farm, or the sensible retirement of the country.
Public-domain text, read in full here on John Shaqi.
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