Russell H. Conwell, founder of the Institutional church in America : $b the work and the manBurr, Agnes Rush
Religion
Russell H. Conwell, founder of the Institutional church in America : $b the work and the man
Burr, Agnes Rush
Conwell, Russell H., 1843-1925; Minneapolis (Minn.) -- Biography
His cheery, kindly personality wins loyalty and devotion at once. His
Christianity is the simple, loving, practical kind that fairly shines
from his presence and attracts people to him immediately. The members
of the Chorus of The Temple are devoted to him. No rules are required
to keep them in order; no other inspiration to do their best is needed
than his simple wish.
In the old church at Mervine and Berks streets he had a volunteer
choir of about twenty, all that the little organ loft would
accommodate. They could sing as the birds sing, because they had
voices and loved it, but of musical training or education they had
little. They were drawn from the membership of the church, composed of
poor working people.
From this nucleus grew the chorus of The Temple, which was organized
in 1891, six weeks before the membership took possession of its new
building. With the organization of this large chorus, Professor Wood
faced a new and difficult problem. How was he to hold from one hundred
to one hundred and fifty people together, who were not paid for their
services, who were not people of leisure to whom rehearsals are no tax
on time or strength? These were nearly all working people who came to
rehearsal after a day's tiring employment. That he has succeeded so
splendidly in these fourteen years proves his fine leadership.
He had a body of workers devoted to the church, people before whom was
ever held up the fact that they could serve the Master they all loved
by singing, if they could in no other way; that they could give their
voices, if they could give nothing else. He had a body of workers
devoted also to himself, who would have followed him unhesitatingly no
matter what commands he lay upon them. But he felt they should have
some other encouragement, some other interest to hold them together,
so almost immediately upon their organization he took up the study of
Haydn's "Creation." It seemed a stupendous undertaking for a young and
inexperienced chorus, one with no trained voices, few of whom could
even read music at sight. But they plunged into the study with spirit.
No incentive was needed to come to rehearsals, no one thought of
dropping out. Indeed, the opportunity to study such music under such
a master brought many new members. And in the fall of that year the
oratorio was given with splendid success.
Public-domain text, read in full here on John Shaqi.
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