These Russian heads of the Saviour in softening down the severe and aged type common to Byzantium, assume a physiognomy not sufficiently intellectual for the Greatest of Teachers. These "images" in fact inspire little reverence except with blind worshippers; they are mostly wrought up and renovated, so as to fulfil the preconceived conditions of sanctity: undefined generality, weakness, smoothness, and blackness, are the common characteristics of these supposititious heads of the Saviour. It will thus again be easily understood how opposite has been the practice of the Eastern and Western Churches; it is a striking fact that at the time when, in Italy, under Leonardo da Vinci, Raphael and others, the mystery of a God manifest in the flesh had been as it were solved by a perfected art, this Russian Church was still under bondage to the once accepted but now discarded notion that the Redeemer ought to be represented as one who had no form or comeliness. Art in the Western world gained access to the beautiful, the perfect, and the divine, as soon as it was permitted to the painter or the sculptor to develop to uttermost perfection the idea of the Man-God. All such conceptions of the infinite, whether it be that of Jupiter in pagan periods, or of Christ under our divine dispensation, have always been the life and inspiration of the arts. But in Russia ignoble heads of Christ convinced me that such life and inspiration were denied. And I look upon the head of Christ as the turning point in the Christian art of a nation. If that head be conceived of unworthily there is no possibility that prophets, apostles, martyrs, shall receive their due. [Illustration: LA LAVRA, KIEF.] _NIJNI-NOVGOROD_ _ANTONIO GALLENGA_ Nijni-Novgorod, or Lower New-town, is older than Moscow, and only not so old as Novgorod the Great, which was a contemporary of Venice, and was still new when the semi-fabulaus Ruric and his Varangians are supposed to have given their name to Russia. Nijni-Novgorod, which everybody here calls simply "Nijni," dates from 1222; and mention of its fair occurs, we are told, in 1366, since which epoch its celebration has suffered very rare and only violent interruption. To understand why this venerable spot should have been for so many years, and should be still, so extensively favoured by the world's trade, it is hardly necessary to see it. We only need bear in mind that Nijni lies near the confluence of the Oka and the Volga, two of the greatest rivers of this Russia which alone of all countries of Europe may be said to have great rivers; the Volga having a course of 2,320 miles, and the Oka, a mere tributary, of 850 miles. It is the position which the Saoene and the Rhone have made for Lyons; the position for which St. Louis is indebted to the Mississippi and Missouri; the position which Corientes will soon owe to the Parana and the Paraguay.