Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
the poet; for had he not been banished he might have been implicated in
the conspiracy about to burst forth, and sent to Siberia or to the
quicksilver mines. He was expelled from Odessa, which was his first
place of confinement, because his Byronic bravado had a pernicious
influence upon the young men of the place, and he was sent home to his
father, with whom he could come to no understanding whatever. While
there he heard of the death of Alexander and the events of December.
Upon knowing that his friends were all compromised and under arrest, he
started for St. Petersburg, but having met a priest and seen a hare
cross his path, he considered these ill omens, and, yielding to
superstition, he turned back. Soon afterward he wrote to the new Czar
begging reprieve of banishment, which was granted. The Iron Czar sent
for him to come to the palace, and held with him a conversation or
dialogue which has become famous in the annals of the historians:
"If you had found yourself in St. Petersburg on the 25th of December,
where would you have been?" asked Nicholas.
"Among the rebels," answered the poet.
Far from being angry, the sovereign was pleased with his reply, and he
embraced Puchkine, saying: "Your banishment is at an end; and do not let
fear of the censors spoil your poetry, Alexander, son of Sergius, for I
myself will be your censor."
This is not the only instance of this inflexible autocrat's
warm-heartedness. More than once his imperial hand stayed the sentence
of the censors and gave the wing to genius. Nicholas was not afraid of
art, and was, besides, an intelligent amateur of literature. We shall
see how he protected even the satire of Gogol. And so, with a royal
suavity which softens the most selfish character, Nicholas gained to his
side the first poet of Russia, and forever alienated him from the cause
for which his friends suffered in gloomy fortresses and in exile, or
perished on the scaffold. Puchkine had no other choice than to accept
the situation or forfeit his freedom,--to make peace with the emperor or
to go and vegetate in some village and bury his talent alive. He chose
his vocation as poet, accepted the imperial favor, and returned to St.
Petersburg, where he found a remnant of the Arzamas, but now languid and
without creative fire. Being restored to his place in high society, he
tasted the delights of living in a sphere with which his refined and
aristocratic nature was in harmony. He was a poet; he enjoyed the
privileges and immunities of a demi-god, the just tribute paid to the
productive genius of beauty. And yet at times the pride and independence
hushed within his soul stirred again, and he thought with horror upon
the hypocrisy of his position as imperial oracle. But he found himself
at the height of his glory, doing his best work, seldom annoyed by the
censorial scissors, thanks to the Czar; and so, flattered by the throne,
the court, and the public, he led to the altar his "brown-skinned
Public-domain text, read in full here on John Shaqi.
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