Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
"Happy is the writer,"[1] he says sarcastically, "who
refrains from depicting insipid, disagreeable, unsympathetic
characters without any charms whatever, and makes a study of
those more distinguished, refined, and exquisite; the writer
who has a fine tact in selecting from the vast and muddy
stream of humanity, and devoting his attention to a few
honorable exceptions to the average human nature; who never
once lowers the clear, high tone of his lyre; who never puts
his melodies to the ignoble use of singing about folk of no
importance and low quality; and who, in fact, taking care
never to descend to the too commonplace realities of life,
soars upward bright and free toward the ethereal regions of
his poetic ideal!... He soothes and flatters the vanity of
men, casting a veil over whatever is base, sombre, and
humiliating in human nature. All the world applauds and
rejoices as he passes by in his triumphal chariot, and the
multitude proclaims him a great poet, a creative genius, a
transcendent soul. At the sound of his name young hearts
beat wildly, and sweet tears of admiration shine in gentle
eyes.... Oh, how different is the lot of the unfortunate
writer who dares to present in his works a faithful picture
of social realities, exactly as they appear to the naked
eye! Who bade him pay attention to the muddy whirlpool of
small miseries and humiliations, in which life is perforce
swallowed up, or take notice of the crowd of vulgar,
indifferent, bungling, corrupt characters, that swarm like
ants under our feet? If he commit a sin so reprehensible,
let him not hope for the applause of his country; let him
not expect to be greeted by maidens of sixteen, with heaving
bosom and bright, enthusiastic eyes.... Nor will he be able
to escape the judgment of his contemporaries, a tribunal
without delicacy or conscience, which pronounces the works
it devours in secret to be disgusting and low, and with
feigned repugnance enumerates them among the writings which
are hurtful to humanity; a tribunal which cynically imputes
to the author the qualities and conditions of the hero whom
he describes, allowing him neither heart nor soul, and
belittling the sacred flame of talent which is his whole
life.
Public-domain text, read in full here on John Shaqi.
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