Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
his mouth in astonishment; but the vehicle has passed, and
on it flies, on it flies, and far away a little whirl of
dust rises, spreads out, divides, and disappears in gauzy
patches, falling gently upon the sides of the road. It is
all gone; nothing remains of it.
"Thou art like the troïka, O Russia, my beloved country!
Dost thou not feel thyself carried onward toward the
unknown like this impetuous bird which nobody can overtake?
The road is invisible under thy feet, the bridges echo and
groan, and thou leavest everything behind thee in the
distance. Men stop and gaze surprised at this celestial
portent. Is it the lightning? Is it the thunderbolt from
heaven itself? What causes this movement of universal
terror? What mysterious and incomprehensible force spurs on
thy steeds? They are Russian steeds, good steeds. Doth the
whirlwind sometimes nestle in their manes? The signal is
given: three bronze breasts expand; twelve ready feet start
with simultaneous impetus, their light hoofs scarce
striking the ground; three horses are changed before, our
very eyes into three parallel lines which fly like a streak
through the tremulous air. The troïka flies, sails, bright
as a spirit of God. O Russia, Russia! whither goest thou?
Answer! But there is no response; the bell clangs with a
supernatural tone; the air, beaten and lashed, whistles and
whirls, and rushes off in wide currents; the troïka cuts
them all on the wing, and nations, monarchies, and empires
stand aside and let her pass."
[1] I could take this passage bodily from the translation of "Dead
Souls" made by Isabella Hapgood directly from the Russian, but there are
some discrepancies in which the Spanish writer seems to be in the right,
as in the use of the word _writer_ for _reader_.--Tr.
Book IV.
MODERN RUSSIAN REALISM.
I.
Turguenief, Poet and Artist.
In reviewing the development of the School of Realists founded by
Nicholas Gogol, I shall begin with the one among his followers and
descendants who is not merely the first in chronological order, but the
most intelligible and sympathetic of the Russian novelists, Ivan
Turguenief.
Public-domain text, read in full here on John Shaqi.
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