Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
The youngest of the four great Russian novelists, the only one living
to-day, and in general opinion the most excellent, is Léon, son of
Nicholas Count Tolstoï. His biography may be put into a few lines; it
has no element of the dramatic or curious. He was born in 1828; he was
brought up, like most Russian noblemen of his class, in the country, on
his patrimonial estates; he pursued his studies at the University of
Kazan, receiving the cosmopolitan education--half French, half
German--which is the nursery of the Russian aristocracy; he entered the
military career, spent some years in the Caucasus attached to a regiment
of artillery, was transferred to Sevastopol at his own desire, and
witnessed there the memorable siege, the heroes of which he has
immortalized in three of his volumes; on the conclusion of the peace he
dedicated some time to travel; he resided by turns at both Russian
capitals, frequenting the best society, his congenial atmosphere, yet
without being captivated by it; he finally renounced the life of the
world, married in 1860, and retired to his possessions near Toula, where
he has lived in his own way for twenty-five years or more, and where
to-day the famous novelist, the gentleman, the scholar, the
sceptic,--after falling like Saul on the road to Damascus, blinded by a
heavenly vision, and being converted, as he himself says,--shows
himself, to all who go to visit him, dressed in peasant's garb, swinging
the scythe or drawing the sickle.
The more important biography of Count Tolstoï is that which pertains to
his soul, always restless, always in pursuit of absolute truth and the
divine essence,--a noble aspiration which ameliorates even error. There
is no book of Tolstoï's but reveals himself, particularly so the
autobiography entitled "My Memories," and certain passages of his
novels, and lastly, his theologico-moral works. Tolstoï belongs to the
class of souls that without God lose their hold on life; and yet, by his
own confession, the novelist lived without any sort of faith or creed
from his youth to maturity.
Public-domain text, read in full here on John Shaqi.
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