Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
In his earliest years Tolstoï dwelt much on thoughts of the tragedy of
war, and in "War and Peace" he gives utterance to some very original and
extraordinary, and sometimes even most ingenious opinions concerning it.
No historian that I know of can be compared to Tolstoï on this point;
none has succeeded in putting in relief the mysterious moral force, the
blind and irresistible impulse which determines the great collisions
between two peoples independently of the external and trivial causes to
which history attributes them. Nor has any one else brought out as
clearly as Tolstoï the part played in war by the army, the anonymous
mass always sacrificed to the personality of two or three celebrated
chiefs,--not only in the campaign bulletins but in the narratives of
Clio herself. I believe it will be long before such another man as
Tolstoï will arise, not only in the realms of the art of depicting great
battle-scenes, but so rich in the gifts of military psychology and
physiology; one who can describe the trembling fear in the recruit as
well as the strategic calculations of the commander; one who can
transfer the impression made upon the soul by the whistling of the bombs
carrying death through the air, as well as the sudden impulse that at a
certain decisive moment seizes upon thousands of souls that were before
vacillating and unstable, lifts them up to a heroic temperature, and
decides, in spite of all strategic combinations, the fate of the battle.
Though the strenuous enemy of war, Tolstoï is perhaps the man who has
written about it better than any other in the world; in every other
respect I can compare him to some one else, but not in this. In French
writings I recall only one page that could be placed beside Tolstoï's;
it is the admirable description of the battle of Waterloo, by Stendhal.
In the name of his own gospel Tolstoï condemns not only human
institutions in general, but the Church in particular (the Greek Church,
of course), accusing it of having substituted the letter for the spirit,
the word of the world for the word of God.
Public-domain text, read in full here on John Shaqi.
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