Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
Tikomirov (from whose interesting book I have taken most of my
information concerning the constitution of the Russian revolutionary
family) seems to think that French authors have not done full justice to
the austerity and purity of nihilist customs, and he depicts a charming
scene in the home of intelligence, whose members are united and
affectionate, where moral and intellectual equality produce solid
friendship, precluding tyranny on the one hand and treason on the other;
adding that in Russia everybody is convinced of the superiority of this
sort of family, and only foreigners think that nihilism undermines the
foundations of conjugal union. Is this really true? In any case it seems
possible that such a beautiful ideal might be attained to in our Latin
societies, given the elevated conception of the Catholic marriage, which
makes it a sacrament, were there only a little more equity, toward which
it is evident, however, that laws and customs are ever tending.
In speaking of nihilist marriages, it is well to add that in general the
Russian revolutionary movement has a pronounced flavor of mysticism,
although at first sight it seems an explosion of free-thinking and
blasphemy. It is true that nihilist youth laughs at the supernatural,
and has been steeped in the crudities of German materialism and in the
pliant philosophies of the clinic and the laboratory; but at the same
time, whether because of the religious character of the race, or because
of a certain exaltation which may be the fruit of a period of stress,
the nihilist young people are mystics in their own way, and talk about
the martyrs to the cause with an inspired voice and with the unction of
a devotee invoking the saints. In proof of this I will give here a
nihilist madrigal dedicated to the young heroine in a political trial,
Lydia Figuier, who had studied medicine in Zurich and Paris.
"Deep is the impression, O maiden, left by thy enchanting
beauty; but more powerful than the charm of thy face is the
purity of thy soul. Full of pity is the image of the
Saviour, and his divine features are full of compassion; but
in the unfathomable depths of thine eyes there is still more
love and suffering."
Public-domain text, read in full here on John Shaqi.
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