Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
But it is time to mention some of the precursors of nihilism. First of
all there is Alexander Herzen, a brilliant, paradoxical writer, a great
visionary, a keen satirist, the poet of denial, a romanticist and
idealist to his own sorrow, and, in the bottom of his soul, sceptical
and melancholy. Herzen was born in Moscow in the year of the Fire, and
his mind began to mature about the time the December conspirators forced
Nicholas I. into trembling retirement. He was wont to say that he had
seen the most imposing personification of imperial power, had grown up
under the shadow of the secret police and panted in its clutches.
Charmed by the philosophical doctrines of Hegel and Feuerbach, which
were then superseding the French, he became a socialist and a
revolutionary. Just at the time when to have a constitution was the
ideal and the dream of the Latin peoples, who were willing to tear
themselves to pieces to obtain it, this Sclav was writing that a
constitution was a miserable contract between a master and his slaves!
Herzen was but a little more than twenty years old when he was sent to
Siberia. On his return from exile he found at home a mental
effervescence, a Germanic and idealist current in the wake of the
eminent critic Bielinsky, Sclavophiles singing hymns in praise of
national life and repudiating European civilization which was in turn
defended by the so-called Occidentals; and lastly he found a set of
literary, innovators who formed the famous _natural school_, at the head
of which was the great Gogol. Herzen fell into this whirl of ideas, and
his æsthetic doctrines and advanced Hegelianism had great influence, and
after some more serious works he published his celebrated novel, "Who is
to Blame?"--a masterly effort, which gained him immense renown in
Russia. It was masterly more by reason of the popularity it achieved
than by its literary merit, for Herzen is, after all, not to be counted
among the chief novel-writers of Russia. Herzen was born to point the
way to a social Utopia rather than the road to pure Beauty. He invented
new phases of civilization, societies transformed by the touch of a
magic wand. The star of Proudhon was at this time in the ascendant, and
Herzen, attracted by its brilliancy, left his country never to return;
but he did not on this account cease to exercise a great influence upon
her destinies, so great, indeed, that some profess to think that had
Herzen never lived, nihilism would have perished in the bud.
Herzen hailed with delight the French revolution of 1848. He expected to
behold a social liquidation, but he saw instead only a conservative
republic,--a change of form. Then he cried out in savage despair, and
his words have become the true nihilist war-cry: "Let the old world
perish! Let chaos and destruction come upon it! Hail, Death! Welcome to
the Future!"
Public-domain text, read in full here on John Shaqi.
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