Russia: Its People and Its LiteraturePardo Bazán, Emilia, condesa de
History
Russia: Its People and Its Literature
Pardo Bazán, Emilia, condesa de
Russia -- Civilization; Russian literature -- History and criticism
His novel produced an indescribable sensation. The nihilists were
inclined to resent Turguenief's "Fathers and Sons," whose hero, the
materialist Bazarof, represented the new generation, or, according to
them, caricatured it. Tchernichewsky's book was considered to be a
faithful picture, and a model besides for the party; it was the
nihilists painted by one of themselves, so to speak. Although it is
tedious and inconsistent in its arguments, the book shows much talent
and a fertile imagination; the author declares that it is his purpose to
stereotype the personality of the _new man_, who is but an evanescent
type, a sign of the times, destined to disappear with the epoch he has
initiated. Writing about the year 1850, he says, "Six years ago there
were no such men; three years ago they were little noticed, and now--but
what matters what is thought of them now? Soon enough they will hear the
cry, Save us! and whatever they command shall be done." Farther on he
says that these _new men_ in turn shall disappear to the last man; and
after a long time men shall say, "Since the days of those men things go
on better, although not entirely well yet." Then the type shall reappear
again in larger numbers and in greater perfection, and this will
continue to happen until men say, "Now we are doing well!" And when this
hour arrives, there will be no special types of humanity, there will be
no _new men_, for all shall realize the largest sum of perfection
possible. Such is the theory of this famous martyr, and it is certainly
as original as it is curious.
Public-domain text, read in full here on John Shaqi.
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