But animated corpses often play an important part in the traditions of other countries. Among the Scandinavians and especially in Iceland, were they the cause of many fears, though they were not supposed to be impelled by a thirst for blood so much as by other carnal appetites,[414] or by a kind of local malignity.[415] In Germany tales of horror similar to the Icelandic are by no means unknown, but the majority of them are to be found in districts which were once wholly Lettic or Slavonic, though they are now reckoned as Teutonic, such as East Prussia, or Pomerania, or Lusatia. But it is among the races which are Slavonic by tongue as well as by descent, that the genuine vampire tales flourish most luxuriantly: in Russia, in Poland, and in Servia--among the Czekhs of Bohemia, and the Slovaks of Hungary, and the numerous other subdivisions of the Slavonic family which are included within the heterogeneous empire of Austria. Among the Albanians and Modern Greeks they have taken firm root, but on those peoples a strong Slavonic influence has been brought to bear. Even Prof. Bernhard Schmidt, although an uncompromising opponent of Fallmerayer's doctrines with regard to the Slavonic origin of the present inhabitants of Greece, allows that the Greeks, as they borrowed from the Slavonians a name for the Vampire, may have received from them also certain views and customs with respect to it.[416] Beyond this he will not go, and he quotes a number of passages from Hellenic writers to prove that in ancient Greece spectres were frequently represented as delighting in blood, and sometimes as exercising a power to destroy. Nor will he admit that any very great stress ought to be laid upon the fact that the Vampire is generally called in Greece by a name of Slavonic extraction; for in the islands, which were, he says, little if at all affected by Slavonic influences, the Vampire bears a thoroughly Hellenic designation.[417] But the thirst for blood attributed by Homer to his shadowy ghosts seems to have been of a different nature from that evinced by the material Vampire of modern days, nor does that ghastly _revenant_ seem by any means fully to correspond to such ghostly destroyers as the spirit of Gello, or the spectres of Medea's slaughtered children. It is not only in the Vampire, however, that we find a point of close contact between the popular beliefs of the New-Greeks and the Slavonians. Prof. Bernhard Schmidt's excellent work is full of examples which prove how intimately they are connected.