In two other stories in the same collection the hero gives chase to a boar of gigantic size. It takes refuge in a cavern into which he follows it. Presently he finds himself in a different world, wherein he meets a beauteous maiden who explains everything to him. In the first of these two stories the lady is the daughter of a Rákshasa, who is invulnerable except in the palm of the left hand, for which reason, our hero, Chandasena has been unable to wound him when in his boar disguise. She instructs Chandasena how to kill her father, who accordingly falls a victim to a well-aimed shaft. (Brockhaus's "Mährchensammlung des Somadeva Bhatta," 1843, vol. i. pp. 110-13). In the other story, the lady turns out to be a princess whom "a demon with fiery eyes" had carried off and imprisoned. She tells the hero, Saktideva, that the demon has just died from a wound inflicted upon him, while transformed into a boar, by a bold archer. Saktideva informs her that he is that archer. Whereupon she immediately requests him to marry her (ibid. vol. ii. p. 175). In both stories the boar is described as committing great ravages in the upper world until the hero attacks it.] The Adventures of a prince, the youngest of three brothers, who has been lowered into the underground world or who has ascended into an enchanted upper realm, form the theme of numerous skazkas, several of which are variants of the story of Norka. The prince's elder brothers almost always attempt to kill him, when he is about to ascend from the gulf or descend from the steeps which separate him from them. In one instance, the following excuse is offered for their conduct. The hero has killed a Snake in the underground world, and is carrying its head on a lance, when his brothers begin to hoist him up. "His brothers were frightened at the sight of that head and thinking the Snake itself was coming, they let Ivan fall back into the pit."[90] But this apology for their behavior seems to be due to the story-teller's imagination. In some instances their unfraternal conduct may be explained in the following manner. In oriental tales the hero is often the son of a king's youngest wife, and he is not unnaturally hated by his half-brothers, the sons of an older queen, whom the hero's mother has supplanted in their royal father's affections. Accordingly they do their best to get rid of him. Thus, in one of the Indian stories which correspond to that of Norka, the hero's success at court "excited the envy and jealousy of his brothers [doubtless half-brothers], and they were not satisfied until they had devised a plan to effect his removal, and, as they hoped, accomplish his destruction."[91] We know also that "Israel loved Joseph more than all his children," because he was the son "of his old age," and the result was that "when his