Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
The conviction, then, that he must live as the millions live, earning
his own livelihood; that he must toil as the millions toil; and that
such a life is the _only_ possible reply to the questions which
had brought him to despair--the only way to escape the terrible
contradictions which had made Schopenhauer preach self-annihilation,
and Solomon, Sakiamuni, and so many others preach their gospel of
despairing pessimism, this conviction, then, saved him and restored to
him lost energy and the will to live. But that same idea had inspired
thousands of the Russian youth, in those same years, and had induced
them to start the great movement “_V narod!_” “Towards the people; be
the people!”
Tolstóy has told us in an admirable book, _What is, then, to be
done?_ the impressions which the slums of Moscow produced upon him in
1881, and the influence they had upon the ulterior development of his
thoughts. But we do not yet know what facts and impressions made him so
vividly realise in 1875-81 the emptiness of the life which he had been
hitherto leading. Is it then presuming too much if I suggest that it
was this very same movement, “towards the people,” which had inspired
so many of the Russian youth to go to the villages and the factories,
and to live there the life of the people, which finally brought
Tolstóy, also, to reconsider his position as a rich landlord?
That he knew of this movement there is not the slightest doubt. The
trial of the Netcháeff groups in 1871 was printed in full in the
Russian newspapers, and one could easily read through all the youthful
immaturity of the speeches of the accused the high motives and the love
of the people which inspired them. The trial of the Dolgúshin groups,
in 1875, produced a still deeper impression in the same direction; but
especially the trial, in March, 1877, of those of transcendent worth,
girls Bárdina, Lubatóvitch, the sisters Subbótin, “the Moscow Fifty”
as they were named in the circles, who, all from wealthy families,
had led the life of factory girls, in the horrible factory-barracks,
working fourteen and sixteen hours a day, in order to be with the
working people and to teach them.... And then--the trial of the
“Hundred-and-Ninety-Three” and of Véra Zasúlitch in 1878. However great
Tolstóy’s dislike of revolutionists might have been, he must have felt,
as he read the reports of these trials, or heard what was said about
them at Moscow and in his province of Túla, and witnessed round him
the impression they had produced--he, the great artist, must have felt
that this youth was much nearer to what he himself was in his earlier
days, in 1861-62, than to those among whom he lived now--the Katkóffs,
the “Fets,” and the like. And then, even if he knew nothing about
these trials and had heard nothing about the “Moscow Fifty,” he knew,
at least, Turguéneff’s _Virgin Soil_, which was published in January,
1877, and he must have felt, even from that imperfect picture, so
Public-domain text, read in full here on John Shaqi.
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