Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
Where am I going now? Home? No, home or the grave--it is the same.
Yes, home or the grave!... the grave! Better the grave.... A little
grave under a tree ... how sweet.... The sunshine warms it, the sweet
rain falls on it ... in the spring the grass grows on it, soft and
sweet grass ... the birds will fly in the tree and sing, and bring
up their little ones, and flowers will bloom; golden, red and blue
... all sorts of flowers, (_dreamingly_) all sorts of flowers ... how
still! how sweet! My heart is as it were lighter! But of life I don’t
want to think! Live again! No, no, no use ... life is not good!... And
people are hateful to me, and the house is hateful, and the walls are
hateful! I will not go there! No, no, I will not go! if I go to them,
they’ll come and talk, and what do I want with that? Ah, it has grown
dark! And there is singing again somewhere! What are they singing? I
can’t make out.... To die now.... What are they singing? It is just
the same whether death comes, or of myself ... but live I cannot! A
sin to die so!... they won’t pray for me! If anyone loves me, he will
pray ... they will fold my arms crossed in the grave! Oh, yes.... I
remember. But when they catch me, and take me home by force.... Ah,
quickly, quickly! (_Goes to the river bank. Aloud._) My dear one! My
sweet! Farewell!
(_Exit._)
(_Enter Mme. Kabanóva, Kabanóv, Kulíghin and workmen with torches._)
_The Thunderstorm_ is one of the best dramas in the modern répertoire
of the Russian stage. From the stage point of view it is simply
admirable. Every scene is impressive, the drama develops rapidly,
and every one of the twelve characters introduced in it is a joy
to the dramatic artist. The parts of Dikóy, Varvára (the frivolous
sister), Kabanóff, Kudryásh (the sweetheart of Varvára), an old
artisan-engineer, nay even the old lady with two male-servants, who
appears only for a couple of minutes--each one will be found a source
of deep artistic pleasure by the actor or actress who takes it; while
the parts of Katerína and Mme. Kabanóva are such that no great actress
would neglect them.
Public-domain text, read in full here on John Shaqi.
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