Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
An important division of Russian novelists, almost totally unknown in
Western Europe, and yet representing perhaps the most typical portion
of Russian literature, are the “Folk-Novelists.” It is under this name
that we know them chiefly in Russia, and under this name the critic
Skabitchévskiy has analysed them--first, in a book bearing this title,
and then in his excellent _History of Modern Russian Literature_ (4th
ed. 1900). By “Folk-Novelists” we mean, of course, not those who write
_for_ the people, but those who write _about_ the people: the peasants,
the miners, the factory workers, the lowest strata of population in
towns, the tramps. Bret Harte in his sketches of the mining camps, Zola
in _L’Assommoir_ and _Germinal_, Mr. Gissing in _Liza of Lambeth_, Mr.
Whiting in _No. 5 John Street_, belong to this category; but what is
exceptional and accidental in Western Europe is organic in Russia.
Quite a number of talented writers have devoted themselves during the
last fifty years, some of them entirely, to the description of this
or that division of the Russian people. Every class of the toiling
masses, which in other literatures would have appeared in novels as the
background for events going on amidst educated people (as in Hardy’s
_Woodlanders_), has had in the Russian novel its own painter. All
great questions concerning popular life which are debated in political
and social books and reviews have been treated in the novel as well.
The evils of serfdom and, later on, the struggle between the tiller
of the soil and growing commercialism; the effects of factories upon
village life, the great coöperative fisheries, peasant life in certain
monasteries, and life in the depths of the Siberian forests, slum life
and tramp life--all these have been depicted by the folk-novelists, and
their novels have been as eagerly read as the works of the greatest
authors. And while such questions as, for instance, the future of the
village-community, or of the peasants’ Common Law Courts, are debated
in the daily papers, in the scientific reviews and the journals of
statistical research, they are also dealt with by means of artistic
images and types taken from life in the folk-novel.
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