Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
Every movement among the educated classes in favour of the poorer
classes begins by an idealisation of the latter. It being necessary to
clear away, first of all, a number of prejudices which exist among the
rich as regards the poor, some idealisation is unavoidable. Therefore,
the earlier folk-novelist takes only the most striking types--those
whom the wealthier people can better understand and sympathise with;
and he lightly passes over the less sympathetic features of the life of
the poor. This was done in the forties in France and England, and in
Russia by Grigoróvitch, Márko Vovtchók, and several others. Then came
Ryeshétnikoff with his artistic Nihilism: with his negation of all the
usual tricks of art, and his objectivism; his blunt refusal to create
“types” and his preference for the quite ordinary man; his manner
of transmitting to you his love of his people, merely through the
suppressed intensity of his own emotion. Later on, new problems arose
for Russian literature. The readers were now quite ready to sympathise
with the individual peasant or factory worker; but they wanted to know
something more: namely, what were the very foundations, the ideals,
the springs of village life? what were they worth in the further
development of the nation? what, and in what form, could the immense
agricultural population of Russia contribute to the further development
of the country and the civilised world altogether? All such questions
could not be answered by the statistician alone; they required the
genius of the artist, who must decipher the reply out of the thousands
of small indications and facts, and our folk-novelists understood this
new demand of the reader. A rich collection of individual peasant types
having already been given, it was now the life of the village--the
_mir_, with its advantages and drawbacks, and its promises for the
future--that the readers were anxious to find in the folk-novel. These
were the questions which the new generation of folk-novelists undertook
to discuss.
In this venture they were certainly right. It must not be forgotten
that in the last analysis every economical and social question is
a question of psychology of both the individual and the social
aggregation. It cannot be solved by arithmetic alone. Therefore, in
social science, as in human psychology, the poet often sees his way
better than the physiologist. At any rate, he too has his voice in the
matter.
Public-domain text, read in full here on John Shaqi.
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