Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
These were, of course, the years when Russia was on the eve of the
abolition of serfdom and of a thorough reform of most of the antiquated
institutions of Nicholas I., and when everyone took interest in
public affairs. Numbers of memoirs upon the questions of the day were
addressed to the Tsar by private persons, or simply circulated in
private, in MS.; and Turguéneff would get hold of them, and they would
be discussed in _The Bell_. At the same time _The Bell_ was revealing
such facts of mal-administration as it was impossible to bring to
public knowledge in Russia itself, while the leading articles were
written by Hérzen with a force, an inner warmth, and a beauty of form
which are seldom found in political literature. I know of no West
European writer with whom I should be able to compare Hérzen. _The
Bell_ was smuggled into Russia in large quantities and could be found
everywhere. Even Alexander II. and the Empress Marie were among its
regular readers.
Two years after serfdom had been abolished, and while all sorts of
urgently needed reforms were still under discussion--that is, in
1863--began, as is known, the uprising of Poland; and this uprising,
crushed in blood and on the gallows, brought the liberation movement
in Russia to a complete end. Reaction got the upper hand; and the
popularity of Hérzen, who had supported the Poles, was necessarily
gone. _The Bell_ was read no more in Russia, and the efforts of Hérzen
to continue it in French brought no results. A new generation came then
to the front--the generation of Bazároff and of “the populists,” whom
Hérzen did not understand from the outset, although they were his own
intellectual sons and daughters, dressed now in a new, more democratic
and realistic garb. He died in isolation in Switzerland, in 1870.
The works of Hérzen, even now, are not allowed to be circulated in
Russia, and they are not sufficiently known to the younger generation.
It is certain, however, that when the time comes for them to be read
again Russians will discover in Hérzen a very profound thinker, whose
sympathies were entirely with the working classes, who understood the
forms of human development in all their complexity, and who wrote in
a style of unequalled beauty--the best proof that his ideas had been
thought out in detail and under a variety of aspects.
Before he had emigrated and founded a free press at London, Hérzen had
written in Russian reviews under the name of ISKANDER, treating various
subjects, such as Western politics, socialism, the philosophy of
natural sciences, art, and so on. He also wrote a novel, _Whose Fault
is it?_ which is often spoken of in the history of the development
of intellectual types in Russia. The hero of this novel, Béltoff,
is a direct descendant from Lérmontoff’s Petchórin, and occupies an
intermediate position between him and the heroes of Turguéneff.
Public-domain text, read in full here on John Shaqi.
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