Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
The whole nation was thus ready to resist the invasions of the
Mussulmans; but a special vanguard was kept in the lower course of the
Dniéper, “beyond the rapids,” on an island which soon became famous
under the name of the Sícha. Men of all conditions, including runaways
from their landlords, outlaws, and adventurers of all sorts, could
come and settle in the Sícha without being asked any questions but
whether they went to church. “Well, then, make the sign of the cross,”
the hetman of the Sícha said, “and join the division you like.” The
Sícha consisted of about sixty divisions, which were very similar to
independent republics, or rather to schools of boys, who cared for
nothing and lived in common. None of them had anything of his own,
excepting his arms. No women were admitted, and absolute democracy
prevailed.
The hero of the novel is an old Cossack, Tarás Búlba, who has himself
spent many years in Sícha, but is now peacefully settled inland on
his farm. His two sons have been educated at the Academy of Kíeff
and return home after several years of absence. Their first meeting
with their father is very characteristic. As the father laughs at the
sons’ long clothes, which do not suit a Cossack, the elder son, Ostáp,
challenges him to a good boxing fight. The father is delighted, and
they fight until the old man, quite out of breath, exclaims: “By God,
this is a good fighter; no need to test him further; he will be a
good Cossack!--Now, son, be welcome; let us kiss each other.” On the
very next day after their arrival, without letting the mother enjoy
the sight of her sons, Tarás takes them to the Sícha, which--as often
happened in those times--was quickly drawn into war, in consequence of
the exactions which the Polish landlords made upon the Little Russians.
The life of the free Cossacks in the republic “beyond the rapids” and
their ways of conducting war are wonderfully described; but, paying a
tribute to the then current romanticism, Gógol makes Tarás’ younger
son, a sentimentalist, fall in love with a noble Polish lady, during
the siege of a Polish town, and go over to the enemy; while the
father and the elder son continue fighting the Poles. The war lasts
for a year or so, with varying success, till at length, in one of the
desperate sorties of the besieged Poles, the younger son of Tarás is
taken prisoner, and the father himself kills him for his treason. The
elder son is next taken prisoner by the Poles and carried away to
Warsaw, where he perishes on the rack; while Tarás, returning to Little
Russia, raises a formidable army and makes one of those invasions into
Poland with which the history of the two countries was filled for two
centuries. Taken prisoner himself, Tarás perishes at the stake, with
a disregard of life and suffering which were characteristic of this
strong, fighting race of men. Such is, in brief, the theme of this
novel, which is replete with admirable separate scenes.
Public-domain text, read in full here on John Shaqi.
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