Russian literatureKropotkin, Petr Alekseevich, kniaz
History
Russian literature
Kropotkin, Petr Alekseevich, kniaz
Russian literature -- 19th century -- History and criticism
Or, was it the difference between the two generations--the man of
thirty or more, which Tolstóy was, and the young people in their early
twenties, possessed of all the haughty intolerance of youth,--which
kept them aloof from each other. And was it not, in addition to all
this, the result of theories? namely, a fundamental difference in
the conceptions of the advanced Russian Radicals, who at that time
were mostly admirers of Governmental Jacobinism, and the Populist,
the No-Government man which Tolstóy must have already then been,
since it distinctly appeared in his negative attitude towards Western
civilisation, and especially in the educational work which he began in
1861 in the Yásnaya Polyána school?
The novels which Tolstóy brought out during these years, 1856-1862, do
not throw much light upon his state of mind, because, even though they
are to a great extent autobiographical, they mostly relate to earlier
periods of his life. Thus, he published two more of his Sebastopol
war-sketches. All his powers of observation and war-psychology, all
his deep comprehension of the Russian soldier, and especially of the
plain, un-theatrical hero who really wins the battles, and a profound
understanding of that inner spirit of an army upon which depend
success and failure: everything, in short, which developed into the
beauty and the truthfulness of _War and Peace_ was already manifested
in these sketches, which undoubtedly represented a new departure in
war-literature the world over.
YOUTH: IN SEARCH OF AN IDEAL
_Youth_, _The Morning of a Landed Proprietor_, and _Lucerne_ appeared
during the same years, but they produced upon us readers, as well
as upon the literary critics, a strange and rather unfavourable
impression. The great writer remained; and his talent was showing
evident signs of growth, while the problems of life which he touched
upon were deepening and widening; but the heroes who seemed to
represent the ideas of the author himself could not entirely win our
sympathies. In _Childhood_ and _Boyhood_ we had had before us the
boy Irténeff. Now, in _Youth_, Irténeff makes the acquaintance of
Prince Neklúdoff; they become great friends, and promise, without the
slightest reservation, to confess to each other their moral failings.
Of course, they do not always keep this promise; but it leads them to
continual self-probing, to a repentance one moment which is forgotten
the next, and to an unavoidable duality of mind which has the most
debilitating effect upon the two young men’s character. The ill results
of these moral endeavours Tolstóy did not conceal. He detailed them
with the greatest imaginable sincerity, but he seemed nevertheless to
keep them before his readers as something desirable; and with this we
could not agree.
Public-domain text, read in full here on John Shaqi.
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