Amongst other well-known musicians whom I have known in my earlier years, were Litolff (already mentioned, who, like Thalberg, dedicated a composition to my mother), Ferdinand Hiller, Halevy, Stockhausen, Ole Bull, Madame Pauline Viardot, Liszt, Tchaikovsky and others. I knew Liszt well in Weimar, where I spent a few weeks. Once when he called on me at the Hotel de Russie, I happened to be changing my dress after a long walk. As I began to hurry my toilette, I heard enchanting sounds from my piano below. Judge of my delight to be listening to Liszt's improvisations. Instead, therefore, of hurrying, I prolonged my change of dress to what I considered would be the extremity of my visitor's patience. But I found him friendly and smiling, not in the least annoyed, when {144} I at last entered the room. Indeed, he evidently guessed why I had delayed so long, and was even amused at my little stratagem. Here is a letter from him: MADAME, Le charme et l'émotion de votre chant m'a fait complètement oublier hier que je n'étais pas libre de mes heures aujourd'hui. Veuillez bien m'accorder indulgence et me permettre de venir un autre jour pour vous renouveler mes très respectueux hommages? FR. LISZT. It was Liszt also who introduced to me Lassen, who came every morning to teach me his lovely songs. In Weimar, Lassen was quite an artistic personage. But I might ramble on for ever with such reminiscences. A few words only about later acquaintances in London. Amongst these I think I ought specially to mention my distinguished compatriots, Glazounoff and Safonoff. Tchaikovsky was also here and had fully intended to return to London, where his glorious music had become so popular, and had indeed accepted the invitation of an English friend to be his guest during the forthcoming visit. His death in Petrograd occurred shortly afterwards, to our great loss. On one of Glazounoff's visits I had a small musical gathering, at which the young Russian 'cellist, Varia Irmanoff, was to play her composition "Volga" (Air Russe pour Violoncelle), which she had dedicated to me. Unfortunately her accompanist never turned {145} up. Glazounoff, seeing the poor girl's embarrassment, then went very quietly to the piano and said, "I will accompany you." Very Russian in kindness and simplicity! I was proud of him. A few minutes later, when my other pianist, the talented Miss Vera Margolies, came, Glazounoff seemed delighted to meet his favourite Russian artist-friend, just returned from new successes in Paris, and about to achieve another success at the Queen's Hall under the direction of our great Safonoff. I must add a few words on Mrs. Rosa Newmarch. She has rendered great service to the artistic world in publishing her two big volumes on our great Tchaikovsky, and her works on _The Russian Opera_ and _The Russian Arts_, and we Russians must always think of Mrs. Rosa Newmarch's efforts to bring about an artistic entente between Russia and England.