He seemed somehow to belong to our environment, we should
have missed him if he hadn’t been there. Just occasionally he said
things about England that roused opposition in me. I feel about England
as most people do about their relations, that I may abuse my own, but no
one else may. I realised, when I got to know him better, that his
attitude was not so much one of hostility to England as of intense pride
in Russia, and so I forgave him. During my first days in Moscow,
Rothstein unfailingly cross-questioned me at supper as to how I had
spent my day, where I had lunched, whom I had seen, and what time I had
come home. At last I said to him: “Don’t ask me, try and find out,” and
I chaffed him so that he had to give up asking. I never knew whether
there was a motive in his curiosity or not. At all events, he never was
anything but a kindly and helpful friend to me. I drove away from No.
14, Sofiskaya Naberezhnaya in an open car in the bright light of a full
moon, glittering stars, and hard frost. Litvinoff, observing that I
looked back at it rather sentimentally, said: “That is your Moscow home,
the next time you come you will bring your children,” and I felt that I
did not look upon it for the last time. We drove first to the
Commissariat for Foreign Affairs, as he had some packages of papers to
pick up there which he had taken away in the morning to have sealed up
for me. I waited outside in the car for some time. When he rejoined me
he was agitated, my “coffins,” he had just learnt, were still at the
Kremlin. Organisation had miscarried, it was “somebody’s” fault. The
lorry had waited for them three hours, but the sentry at the building
had refused to deliver them up. What could have happened? Everyone was
at the big Opera House meeting, so all telephoning efforts to get hold
of responsible help had been in vain. We had three-quarters of an hour
before the train was due to start. I suggested driving to the Kremlin to
see what we could do. Happily I still had my pass on me, so we got in by
the sentry. The building, ever before so busy, was now utterly deserted
and resonant. I unlocked the door of my studio, and there were the two
coffins lying packed and sealed and unmoved. I lifted one end of one,
it was far beyond our combined strengths to carry, and the motor could
not have taken them. We gave it up in despair. Down in the courtyard our
car refused to move, the chauffeur was tinkering at it. It seemed to
have a real congested chill. Train time was drawing near. The station
was some way off. “Stay,” said Litvinoff. I had visions of staying,
perhaps indefinitely, having parted with all except what I stood up in.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account