Disciples, or "adepts," began to make pilgrimages to the prophet. There
is a characteristic, a highly characteristic history of one such who
came and established himself in the village at the count's park gate.
"This F. was a Jew, who did not finish his studies, got led astray by
socialists, and joined a community where, like the other members, he
lived out of marriage with a young girl student. At last he came across
a treatise of Lyeff Nikolaevitch, and decided that he was wrong and
Lyeff Nikolaevitch right. He removed to Yasnaya Polyana, married his
former mistress, and began to live and work among the peasants." (He
first joined the Russian church, and one of the count's daughters stood
godmother for him.) "His wife worked also; but, with delicate health and
two small children to care for, she could do little, through weakness
and lack of skill. The peasants laughed at him and at Lyeff
Nikola'itch."
Mrs. F. came to the countess with her griefs, and the latter helped her
with food, clothing, and in other ways. "One day nothing remained in the
house to eat but a single crust. F. was ill. His wife, who was also ill
and feeble, went off to work. On her return she found no bread. Some one
had come along begging '_Khristi radi_' [for Christ's sake], and F. had
given him the crust,--with absolute consistency, it must be confessed.
This was the end. There was a scene. The wife went back to her friends.
F. also gave up, went off to Ekaterinoslaff, learned the tailor's trade,
and married again!" How he managed this second marriage without
committing bigamy, in view of the laws of Russia on that point, I am at
a loss to understand.
"All my husband's disciples," said the countess, "are small, blond,
sickly, and homely; all as like one to another as a pair of old boots.
You have seen them. X. Z.--you know him--had a very pretty talent
for verses; but he has ruined it and his mind, and made himself quite an
idiot, by following my husband's teachings."
The count provided a complement to these remarks in a conversation on
Russian writers. He said of a certain author; "That man has never been
duly appreciated, has never received the recognition which his genius
deserves. Yet you know how superbly he writes,--or rather, did write.
He has spoiled himself now by imitating me. It is a pity."
This ingenuous comment is rescued from any tinge of conceit or egotism
by its absolute simplicity and truth. The imitation referred to is of
the moral "Tales" for popular reading of the lower classes, which my
cabman had studied. The pity of it is, when so many of the contemporary
writers of Russia owe their inspiration, their very existence, to
Turgeneff and Tolstoy having preceded them, that a man who possesses
personal talent and a delightful individual style should sacrifice them.
In his case it is unnecessary. Count Tolstoy's recognition of this fact
is characteristic.
Public-domain text, read in full here on John Shaqi.
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