So that is the monastic as well as the secular standard of worth! This experience, repeated frequently and nearly word for word, had begun to weary me. Consequently I led the fat merchant a verbal chase, and baffled him until he capitulated with, "Excuse me. Take no offense, I beg, _sudarynya_. I only asked so by chance." Then I told him with the same result. This was not the last time, by many, that I was put through my national catechism in Kieff. Every Kievlyanin to whom I spoke quizzed me. Of course I was on a grand quizzing tour myself, but that was different, in some way. Over the entrance to these catacombs stands a church. The walls of the vestibule where my mother, the merchant, and I waited for a sufficient party to assemble, were covered with frescoes representing the passage of the soul through the various stages of purgatory. Beginning with the death scene (which greatly resembled the _ikona_ of the Assumption in the cathedral) in the lower left-hand corner, the white-robed soul, escorted by two angels, passed through all the halting-places for the various sins, each represented by the appointed devil, duly labeled. But the artist's fancy had not been very fruitful on this fascinating theme. The devils were so exactly alike that the only moral one could draw was, that he might as well commit the biggest and most profitable sin on the list, and make something out of it in this life, as to confine himself to the petty peccadilloes which profit not here, and get well punished hereafter. The series ended with the presentation of the soul before the judgment seat, on the fortieth day after death. Round the corner, Lazarus reclining in Abraham's bosom and the rich man in the flames were conversing, their remarks crossing each other in mid-air, in a novel fashion. When the guide was ready, each of us bought a taper, and the procession set out through the iron grating, down a narrow, winding stair, from which low, dark passages opened out at various angles. On each side of these narrow passages, along which we were led, reposed the "incorruptible" bodies of St. Antony and his comrades, in open coffins lacquered or covered with sheets of silver. The bodies seemed very small, and all of one size, and they were wrapped in hideous prints or plaid silks. At the head of each saint flickered a tiny shrine-lamp, before a holy picture (_ikona_) of the occupant of the coffin. It was a surprise to find the giant Ilya of Murom, who figures as the chief of the _bogatyri_ (heroes) in the Russian epic songs, ensconced here among the saints, and no larger than they. Next to the silk-enveloped head of St. John the Great Sufferer, which still projects as in life, when he buried himself to the neck in the earth,--as though he were not sufficiently underground already,--in order to preserve his purity, the most gruesome sight which we beheld in those dim catacombs was a group of chrism-exuding skulls of unknown saints, under glass bells.