S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
He is married to a former Diaghileff dancer and de Basil soloist,
Tatiana Lipkovska. They divide their homes between New York and Canada,
where he is one of the leading figures in Montreal’s musical-balletic
life, and where, on a gracious farm, he raises glorious flowers, fruits,
and vegetables for the Montreal market. His wife, in her ballet school,
passes on to aspiring pupils the sound tradition of the classical dance.
Koudriavtzeff had been mixed up in ballet, in one capacity or another,
for years. There was a time when he suffered from that contagious and
deplorable infliction: ballet gossip, in which he was a practiced
practitioner; but there are indications that he is well on his way to
recovery. He is a warm friend and a good colleague.
Koudriavtzeff and I have something, I suspect, in common. Attracted and
attached to something early in life, a concept is formed, and we become
a part of that idea. From this springs a sort of congenital optimism,
and we are inclined to feel that, whatever the tribulations, all will
somehow work out successfully and to the happiness of all concerned. In
this respect, I put myself into the same category. I strongly suspect I
am infected with the same virus as Koudriavtzeff.
One of my real pleasures is to linger over dinner at home. It is no
particular secret that I am something of a gourmet and I know of no
finer or more appropriate place to enjoy good food than at home. So, it
is with something of the sense of a rite that I try, as often as the
affairs of an active life permit, sometime between half-past six and
seven in the evening to have a quiet dinner at home with Mrs. Hurok.
The telephone bell, that prime twentieth century annoyance, interrupted,
as it so often does, the evening’s peace.
“Won’t they let you alone?” was Mrs. Hurok’s only comment.
It was Koudriavtzeff.
“Call me back in half an hour.” I said.
He did.
“I should like to talk with you, Mr. Hurok,” he said in the rather
breathless approach that is a Koudriavtzeff conversational
characteristic.
Since he was already talking, I suggested he continue--over the
telephone. But no, this was not possible, he said. He must talk to me
privately; something very secret. Could he come to my home, there and
then? Was it a matter of business? I inquired. It was. I demurred. I had
had enough of business for one day.
However, there was such urgency in Koudriavtzeff’s voice, after making
due allowance for an almost perpetual urgency with Koudriavtzeff, even
in discussing the weather, that I agreed. He must have telephoned from a
booth round the corner, for Koudriavtzeff arrived, breathless, almost as
soon as I had put down the instrument.
We sat down over a glass of tea. For a few minutes the conversation
concerned itself with generalities. Since I did not feel especially
social, I brought the talk around to particularities.
“Well, what can I do for you?” I inquired.
Public-domain text, read in full here on John Shaqi.
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