S. Hurok Presents; A Memoir of the Dance WorldHurok, Sol
History
S. Hurok Presents; A Memoir of the Dance World
Hurok, Sol
Ballet -- History
The concerns of the ballet are with a game of chess, with the dancers
pawns in the game. It appeals to me strongly, and I feel it is one of
Ninette de Valois’ finest choreographic achievements. It is highly
dramatic, leading to a grim tragedy. Its music is tremendously fine and
McKnight Kauffer’s settings and costumes are striking, effective, and
revolutionary. This is a work of first importance in all ballet
repertoire.
I embarked upon a continuing bombardment of Ninette de Valois and David
Webster by cables and long-distance telephone calls. I never for a
instant let the matter out of my mind.
As I counted off the days until a decision was due, the old year ran
out. It was on New Year’s Eve, while working in my office, that I was
taken ill. I had not been feeling entirely myself for several days, but
illness is something so foreign to me that I laughed it off as something
presumably due to some irregularity of living.
Suddenly, late in the afternoon of New Year’s Eve, I found myself
doubled up with pain. I was rushed to hospital. A hasty blood-count
revealed the necessity for an immediate appendectomy. Before the old
year was greeted by the new, I had submitted to surgery. The doctors
said it was just in time--a case of “touch and go.” A good many things
in my life have been that.
A minimum of a week’s hospitalization was imperative, the doctors said,
and after that another fortnight of quiet recuperation. I remained in
hospital the required week.
Very soon after, against the united wishes of Mrs. Hurok and my office,
I was on a plane bound for London.
At the London airport I was met by David Webster, who took me as quickly
and as smoothly as possible to my old stamping-ground, the Savoy Hotel,
where, on Webster’s firm insistence, I spent the next twelve hours in
bed. There followed extended consultations with Ninette de Valois and
Webster; but neither was able to give a definite answer on the
all-important matter of the second American tour.
I pointed out to them that, in order to protect all concerned, bookings
were already being made across the United States and Canada: bookings
involving in many instances, definite guarantees. As I waited for a
decision, my office was daily badgering me. I was at a loss what to
reply to them. There were daily inconclusive trans-Atlantic telephone
conversations with my office and daily inconclusive conversations with
the Sadler’s Wells directorate.
Public-domain text, read in full here on John Shaqi.
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